Triangle

In the calm of a Florida harbor, Jess prepares a modest day out with her autistic son, Tommy, and invites her close friend Greg to join them on a short boat excursion. Their small crew soon expands as a handful of acquaintances—Victor, Sally, Downey and Heather—climb aboard, turning the outing into a lively, if slightly uneasy, gathering. The film opens with a light‑hearted domestic rhythm, underscored by the quiet concern a parent feels for a child who sees the world differently, and a subtle undercurrent of anticipation as the sea begins to stir.

A sudden storm rolls in, forcing the group to confront the raw power of the ocean. The weather’s fury capsizes their vessel, leaving the survivors clinging to the overturned hull as the tempest finally subsides. While the sea calms, a distant ocean liner named the Aeolus drifts into view, its silhouette promising refuge yet exuding an unsettling stillness. The tone shifts to a measured dread, as the sailors board the seemingly deserted ship and find its corridors echoing with a strange sense of déjà vu.

Within the ship’s shadowed passages, everyday items—keys, fresh provisions—appear as silent clues that someone—or something—has been there before. The atmosphere tightens, blending the claustrophobic hush of empty decks with fleeting, inexplicable moments that suggest the characters are being watched. Jess and the others navigate this liminal space, their relationships strained by the eerie environment, and the film teeters between intrigue and unease, hinting at hidden patterns that loop back on themselves.

The narrative centers on Jess’s growing sense that ordinary reality has slipped into a puzzling loop, where ordinary concerns mingle with the uncanny. As the group explores the ship, the mood oscillates between curiosity and mounting tension, inviting the audience to wonder how far the ordinary can be stretched before it unravels into something far more bewildering.

Last Updated: October 07, 2025 at 13:33