Max Hanson is a Chicago college student who channels his artistic talent into painting and drawing, while also shining on the hockey ice. The pull between these two passions creates tension at home: his mother, Sophie Hanson, has just secured a prized position with a local gallery after sacrificing her own career to raise the family, and she hopes her son will choose a path in art. His father, Ed Hanson, takes a more relaxed view, simply wanting him to be happy, a contrast that sets the tone for the family’s fragile balance.
While working at the neighborhood video store, Max is surrounded by two close friends, Orin Krieg and Kate Coppola. One ordinary day a new customer catches his eye, a girl who will soon become central to his life: Molly White. He tracks her down on campus after she introduces herself, already knowing his name from his hockey jersey, and she invites him to a party that night. What begins as a hopeful romance quickly reveals a darker underbelly as Max discovers Molly’s struggle with drug use, including her heroin habit, which she openly shares in their early days together.
The relationship intensifies in short order. Molly’s presence injects excitement into Max’s life, but it also disrupts everything else: his studies, his job at the video store, and even the home routine that revolves around his mother and his younger sister, Chloe Hanson. The couple’s bond is tested at Chloe’s birthday party when Sophie and Molly clash, prompting Molly to leave and forcing Max to confront the widening gap between his ideals and the reality of his girlfriend’s addiction. Despite the setback, their connection lingers, and Max clings to the hope that they can move forward together.
That hope is crushed by the escalating toll of addiction. Molly’s drug use becomes a daily struggle that drains resources and compounds risky decisions. A night out, a stolen paycheck, and a pink slip from the video store push Max further into a spiral of reliance on Molly to feel alive, while Orin’s attempts to help become more complicated than simple friendship. Max begins to neglect his responsibilities, and the strain ripples through the family. After a tense confrontation in which Sophie lashes out, the couple moves in with Molly’s circle of friends, a move that marks a turning point in Max’s life as he drifts away from the life he intended to lead.
In a moment of desperation, Max attempts to rob the locker room of the ice rink in a bid to grab cash to fund the drug habit, only to be caught in the act and revealed as no longer part of the hockey team. Back at their apartment, the downward trajectory continues: Max discovers Molly involved with a man in exchange for drugs, and a violent confrontation follows. Financial desperation pushes them to the streets as they panhandle near the mall, where the reality of their situation hits close to home when Sophie sees Max but chooses not to act in that moment.
The situation deteriorates further as Max’s family tries to intervene. A general sense of concern turns into a crisis when Max and his family realize just how deep the addiction has taken him. He turns to crime again, attempting to rob a local comic book store for drug money, only to be arrested. Ed and Brian bail him out, and the family discusses whether rehab is the only option left. A doctor ultimately recommends treatment, but Max manages to slip away from the hospital and searches for Molly, a journey that ends in tragedy when he discovers her dead from a heroin overdose in a sleazy motel room.
Grief and guilt overwhelm him. He heads to Kate’s apartment, begging for money, and, when she refuses, he lashes out, even offering to prostitute himself. Kate ejects him, and in the resulting turmoil, he suffers a fall down the stairs. By morning, the family finds him, and he’s brought home with Kate by his side. The turning point arrives as the family commits to a month-long rehab plan. The process brings to light painful truths: Sophie admits she never truly saw Max for who he was because she was focused on perfection herself, while he learns that the longing he felt was for someone to say it was okay not to be perfect.
A doctor explains the road ahead, underscoring the difficulty of entering and sticking with a treatment program. In the end, Max’s loss becomes the catalyst for a deeper family reconciliation. He confronts the reality of Molly’s death, and the film closes on a note of cautious hope: as he prepares to begin rehab, he says goodbye to his brother and sister, and mother and father share a moment of understanding. The car pulls away, and a new chapter begins for a young man who must redefine who he is and what he wants to become, with the support of a family that finally believes in him.
> that's a bunch of crap
Through a measured and empathetic lens, the story explores the weight of parental expectations, the pull of young love, and the harrowing grip of addiction, all while underscoring the fragile line between ambition and self-destruction. The film presents a grounded portrait of a family learning to navigate crisis, forgiveness, and the hard truth that sometimes, growing up means choosing a difficult road toward healing and self-acceptance.
