Thirty Two Short Films About Glenn Gould

Spanning Gould’s life from birth in 1932 to his death in 1982, the film traces his early childhood, rise as a prodigy, and eventual shift from live concerts to media. It situates his story within mid-20th-century Canadian and international music culture, highlighting his embrace of radio, documentaries, and broadcast media. The narrative culminates with his stroke-related death and the enduring legacy of his Bach interpretations.

The film centers on a cottage near Lake Simcoe where Gould’s childhood memories unfold, grounding the story in a distinct Canadian landscape. It juxtaposes cottage life with the vast, isolating Northern landscapes that inspire his The Idea of North. Beyond Canada, the narrative touches on the global reach of his work, noting strong record sales in Central Europe and Japan as Gould’s music travels worldwide.

🌌 Isolation

The environment and physical distance shape Gould’s sense of isolation. The Idea of North explores solitude in Northern Canada, and the musician often communicates with audiences through telephone interviews rather than in person, underscoring a yearning for connection that remains mediated.

👑 Autocrat

The narrative frames Gould as an autocrat of music, insisting on control over his performances and persona. This relentless pursuit of perfection creates a barrier between him and ordinary life, even as his genius garners admiration.

🎙️ Media & Performance

Gould abandons public concerts at 32 to craft radio documentaries, using media as his primary conduit to audiences. He negotiates fame through broadcasts and interviews—often over the phone—highlighting a complex relationship with technology.

🕯️ Mortality & Legacy

Gould dies at 50 from a stroke, and his funeral becomes a public moment despite earlier doubts about attendance. His legacy endures in Bach performances captured on Voyager probes and in a body of recordings that continue to shape how we hear his music.