Year: 1990
Runtime: 100 mins
Language: English
Director: Joseph Sargent
When a German officer held at a U.S. Army POW camp in the fictional Colorado town of Bremen is charged with murder, reluctant small‑town attorney Harmon Cobb takes the case. He must defend the Nazi prisoner amid wartime suspicion, while the town’s only doctor, played by Barnard Hughes, dies, forcing Cobb to confront the moral dilemma of representing a man viewed as devil.
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In 1944, in Lincoln Bluff, a fictional small Colorado town, the Second World War is still raging when the town’s only doctor, George Hansen, Barnard Hughes is murdered at local US Army Camp Bremen, which holds German prisoners of war. Harmon Cobb, Walter Matthau, a local lawyer, is coerced by Judge Bell into defending Sergeant Geiger, Peter Firth, the German prisoner accused of killing the doctor. Cobb has no desire for Geiger to be acquitted, and his own wartime anti-German sentiment—coupled with a son serving as an American soldier fighting the Germans—complicates his stance. To preserve his self-respect as an ethical attorney, Cobb begins to build a nominal defense by asking several of Geiger’s POW subordinates to act as character witnesses. When all refuse to testify, Cobb even asks Geiger to pull rank to get them on the stand, but Geiger refuses to expose the POWs to the consequences of testifying. Moreover, Geiger angrily accuses Cobb of being uninterested in the illegal activities in the camp and suggests he investigate the death of prisoner Ernst Schmidt, who supposedly died of “natural causes.”
In court, POW Sergeant Riefenstahl testifies that Geiger is a member of the Nazi party sworn to “kill as many Americans for Hitler” as he can. Cobb’s sympathy toward defending Geiger is further dampened when he receives word during the trial that his son has been killed in action, resulting in a trial delay of two weeks. When Officer Wallace, William Schallert comes to Cobb with a letter from the murdered doctor written on the day of his death, Cobb begins to suspect that not only is Geiger innocent, but Hansen’s death is only the tip of the iceberg in illicit operations at Camp Bremen.
During the hiatus, Cobb digs deeper. When asked for a subpoena, Judge Bell warns Cobb against trying to build an actual case, saying that he specifically appointed Cobb as defense attorney because he expected Cobb, inexperienced in such cases, to lose the case. The judge declares that he will sentence Geiger to hang. Astounded at the judges’ unethical behavior, Cobb whines to Officer Wallace that he is being used as the court jester. Wallace advises Cobb to disrupt and dig deeper at the camp to expose the illegal beatings and deaths of POWs being countenanced by Major Lilly. Cobb and Wallace arrive at the camp to review Hansen’s medical records of eight prisoners who died of “natural causes.” Corporal Sweazy, the MP at the gate, will not initially let them pass without consulting Major Lilly until they inform Sweazy that they have a court order to investigate Lilly. Sweazy then confides that Major Lilly allows prisoner gangs of “Lager Gestapo” to patrol the inside of the camp, terrorizing and even killing recent POWs who criticize Hitler or suggest that the war is being lost. Riefenstahl, who testified in court against Geiger, is the leader of the Lager Gestapo. Sweazy is reluctant to testify, however, since the last MP who attempted to expose the system had stolen property planted in his locker and ended up in the stockade with inmates hostile to MPs. Cobb reasons to Sweazy that if exposed, Major Lilly would be unable to retaliate.
Back in the courtroom, when Cobb attempts to introduce exculpatory evidence for Geiger, the judge orders Cobb into his chambers, but Robert Carradine Domsczek, the prosecutor, objects to being excluded. In his chambers, the judge baldly tells them that he will sentence Geiger to hang in exchange for three American airmen who have been tried and sentenced to hang in Germany. A condemned Geiger is to be exchanged for the condemned Americans. Both Cobb and Domsczek are appalled at the disregard for Geiger’s possible innocence, and prosecutor Robert Carradine Domsczek informs the judge that if he does not permit the exculpatory evidence, he will object in court to force a mistrial. With Domsczek’s complicity, Cobb presents witnesses and evidence in court to expose the beating murder of Ernest Schmidt as well as other prisoners by the Lager Gestapo with the complicity of Hansen and Major Lilly. Riefenstahl killed Hansen, who was about to expose the illegal activities, and then framed his nemesis, Geiger, for the murder. Geiger is subsequently found innocent.
Last Updated: October 09, 2025 at 15:03
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Principled lawyers battle systemic injustice and public outrage in high-stakes trials.If you enjoyed the tense legal battle in The Incident, explore more movies where lawyers defend unpopular clients against systemic injustice. These courtroom dramas share a heavy emotional weight and focus on moral principles in the face of public outrage.
Stories in this thread follow a legal professional, often an underdog, who is compelled to defend a client despised by the public or the system. The central conflict pits their professional duty and personal ethics against widespread prejudice, corruption, or wartime hysteria, creating a tense procedural investigation.
These films are grouped by their core narrative of a legal crusade against overwhelming odds. They share a serious tone, high intensity from life-or-death stakes, and a focus on the heavy emotional and ethical burden carried by the protagonist.
Personal ethics are tested against the brutal backdrop of war and suspicion.Fans of The Incident's exploration of ethics during war will appreciate these films. They depict characters navigating impossible choices, prejudice, and the collapse of civility on the home front, often with a tense and heavy dramatic tone.
The narrative pattern involves ordinary people or professionals whose values are severely tested by the extremities of war. The setting—a town, a camp, a unit—becomes a pressure cooker where suspicion reigns, and characters must make defining choices that pit their conscience against the collective mood of fear and hatred.
This thread groups films by their shared setting of wartime and their central theme of intense moral questioning. They consistently feature a tense atmosphere, heavy emotional weight from grappling with life-and-death ethics, and a steady pacing that allows the moral tension to build.
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