The Worst Person in the World

In modern Oslo, a city that feels both intimate and expansive, a young woman named Julie stands at the crossroads of her twenties. She drifts between the expectations of a traditional career path and the allure of more creative, uncertain pursuits, letting the city’s quiet cafés and bustling streets mirror her own restlessness. The film’s tone blends subtle humor with lingering melancholy, capturing the everyday poetry of a life that feels simultaneously ordinary and profound.

Julie navigates love with a thoughtful, older comic‑artist, whose seasoned perspective offers both comfort and constraint, and a charismatic barista whose spontaneous energy pulls her toward a different kind of freedom. These contrasting connections serve as lenses through which she examines what intimacy, commitment, and self‑expression truly mean, while the surrounding world—familial shadows, artistic circles, and the ever‑present Oslo skyline—keeps whispering possibilities and doubts alike.

The story unfolds in a series of vignette‑like chapters, each framed by quiet observation and witty dialogue, allowing the audience to linger on the textures of Julie’s internal landscape. As she experiments with writing, photography, and shifting academic interests, the film invites viewers to contemplate the messy, often humorous search for identity that defines contemporary adulthood. The mood is contemplative yet gently buoyant, promising a portrait of a woman whose journey is as much about the moments between decisions as the decisions themselves.

Last Updated: August 10, 2025 at 00:22