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The World, the Flesh and the Devil (1959) movie poster

Timeline

The World, the Flesh and the Devil (1959) Timeline Explained – Every Event in Order

Release, runtime and language
1959 · 95 mins · English
Directed by
Ranald MacDougall
Starring
Mel Ferrer, Harry Belafonte, Inger Stevens

Ralph Burton, a miner trapped by a cave‑in, finally escapes to discover a world wiped out by nuclear holocaust. He reaches a deserted New York City, builds a routine, then encounters fellow survivor Sarah Crandall. Their fragile companionship is tested when Benson Thacker arrives by boat, igniting racial tension between the Black Burton and the white Thacker.

On this page (6)
  1. 1 Where to watch
  2. 2 Events in order (13)
  3. 3 Timeline questions answered
  4. 4 Movie threads
  5. 5 Movies like The World, the Flesh and the Devil
  6. 6 Every angle

Where to watch

Where to Watch The World, the Flesh and the Devil (1959)

Where can you watch The World, the Flesh and the Devil? Stream, rent or buy it in the US, including on Kanopy, Amazon Video and Apple TV Store: current JustWatch availability with up-to-date prices.

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13 events in order · contains spoilers

The World, the Flesh and the Devil Timeline: Events in Chronological Order

Every key event of The World, the Flesh and the Devil (1959) in order, scene by scene, with when and where it takes place. Use it to untangle flashbacks, time jumps and parallel storylines, to refresh your memory before the sequel or to find the exact scene you are thinking of.

  1. Mine collapse and escape

    Ralph Burton is trapped by a cave-in in a Pennsylvania coal mine. He can hear rescuers digging toward him, but after five days their efforts slow down and stop, and the pumps keeping the shaft from flooding fail. Faced with a dwindling hope of rescue, he begins to dig his own way out.

    When
    Five days after the cave-in
    Where
    Pennsylvania coal mine
  2. Emergence into an empty world

    Ralph emerges to a city devoid of people, living or dead. He scavages discarded newspapers and discovers headlines hinting at a global catastrophe and the collapse of civilization. The absence of humanity makes rescue seem impossible and loneliness seem inevitable.

    When
    Immediately after escape
    Where
    Surface outside the mine
  3. The cause of the disaster

    From taped broadcasts on a radio station, Ralph learns that an unknown country dispersed radioactive isotopes into the atmosphere. The lethal dust cloud spreads globally, killing anyone who comes into contact with it over five days, before decaying to harmlessness. The world is effectively wiped clean of people, leaving a silent, empty city behind.

    When
    Soon after escape
    Where
    Radio station / city
  4. Return to New York and take shelter

    Ralph travels to New York City hoping to find survivors but finds none. He restores power to a ruined building and takes up residence, rebuilding utilities to make living possible in an otherwise lifeless city.

    When
    Shortly after escape
    Where
    New York City
  5. Companionship with mannequins

    To stave off loneliness, Ralph places mannequins in his apartment and treats them as companions. After a time, he hurls one from the building and hears a scream from the street, revealing a living observer who has been watching him.

    When
    Early in stay in the city
    Where
    Ralph's building, New York City
  6. Sarah Crandall reveals herself

    Sarah Crandall, a young White woman, had been secretly living in the city and observing Ralph for some time. She is afraid to reveal herself, and her scream earlier caused Ralph to realize someone else may be alive.

    When
    Shortly after the mannequin incident
    Where
    New York City
  7. Growing closeness and racial tension

    Ralph and Sarah form a cautious friendship and gradually grow closer while maintaining separate apartments. Their conversations expose the persisting racial tensions from a segregated society, including Sarah's remark about being 'free, white, and 21' and Ralph's painful reaction.

    When
    Early phase after Sarah's reveal
    Where
    New York City
  8. Broadcasts and confirmation of others

    Ralph continues broadcasting on the radio in the hope of contacting other survivors. He eventually receives a transmission in French confirming there are others still alive somewhere.

    When
    Later, after Sarah's reveal
    Where
    New York City, radio
  9. Ben's arrival and recovery

    Benson Thacker, an ill white man, arrives by boat and Ralph and Sarah nurse him back to health. His presence disrupts the fragile balance between Ralph and Sarah as he becomes a potential romantic rival.

    When
    After transmission
    Where
    New York City harbor
  10. Ben's threat

    Once recovered, Ben fixates on Sarah and sees Ralph as a rival. He warns Ralph that the next time they meet, he will try to kill him.

    When
    After recovery
    Where
    New York City
  11. The pursuit to UN square

    The two armed men hunt each other through the empty streets. Ralph passes by the United Nations headquarters, climbs the steps in Ralph Bunche Park, and reads the Isaiah inscription about beating swords into plowshares.

    When
    During the pursuit
    Where
    Near UN Headquarters, Ralph Bunche Park
  12. Confrontation and the breaking of the stalemate

    Ralph finally confronts Ben unarmed after discarding his rifle, but Ben discovers he cannot shoot. Sarah arrives, and together the three walk down the street toward a possible future, choosing to face a new beginning rather than further violence.

    When
    Climax
    Where
    New York City street
  13. A new beginning

    The film ends not with The End but with The Beginning, as Ralph, Sarah, and Ben walk together into dawn toward building a future in this post-apocalyptic world.

    When
    Ending
    Where
    New York City street

Last updated: October 05, 2025 at 11:22

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Timeline questions answered

The World, the Flesh and the Devil Timeline Explained: Your Questions Answered

When does it happen, and why in that order? The questions people ask about the chronology of The World, the Flesh and the Devil (1959): time jumps, flashbacks, cause and effect between scenes and the correct order of events, each answered with spoilers.

Q1

How did Ralph Burton survive being trapped in the mine for five days?

Ralph survived by hearing rescuers digging toward him initially, but after five days the rescue efforts slowed and stopped. When the pumps keeping the shaft from flooding failed, he faced drowning. He began digging frantically upward toward the surface, clawing his way through the debris until he emerged into the empty world above.

Foreshadowing: The opening scene establishes Ralph's determination to survive against impossible odds, which defines his character throughout the film.

  • ralph burton
  • mine collapse
  • survival
  • coal mine
  • trapped
Q2

What caused the nuclear apocalypse in the film?

An unknown country dispersed radioactive isotopes into the atmosphere. The lethal radioactive cloud killed anyone exposed to it over five days, after which the isotopes decayed into harmless dust. This wiped out humanity while Ralph was trapped underground.

  • nuclear apocalypse
  • radioactive cloud
  • radiation
  • disaster
  • world end
Q3

Why did Sarah Crandall hide from Ralph after he emerged from the mine?

Sarah had been secretly living in the city and watching Ralph for some time. She was afraid to reveal herself to another person, likely due to fear of the unknown and uncertainty about whether Ralph could be trusted. Her scream when Ralph threw the mannequin was a startled reaction, not a confession of despair.

  • sarah crandall
  • hiding
  • survivors
  • fear
  • trust
Q4

What did Sarah mean when she said she was free, white, and 21?

Sarah casually used the phrase 'free, white, and 21' to indicate she was independent and could do as she pleased. Ralph responded that the phrase felt like 'an arrow in my guts,' explaining that her world of white privilege felt utterly out of reach to him as a Black man in their pre-apocalypse society. This moment exposes the lingering racial tension between them.

  • free white and 21
  • racial tension
  • sarah
  • ralph
  • prejudice
Q5

Why did Benson Thacker become a threat to Ralph?

Once Benson recovered his health, he fixated on Sarah as a potential romantic partner and began viewing Ralph as a rival standing in the way of his future. He explicitly warned Ralph that the next time they met, he would try to kill him, transforming the fragile three-way companionship into a tense confrontation.

  • benson thacker
  • rivalry
  • threat
  • sarah
  • conflict
Q6

What is the significance of the Isaiah inscription at the United Nations headquarters?

Ralph reads the inscription from the Book of Isaiah: 'They shall beat their swords into plowshares. And their spears into pruning hooks. Nation shall not lift up sword against nation. Neither shall they learn war any more.' This passage about transforming weapons into tools and ending all warfare becomes the symbolic turning point where Ralph chooses to lay down his rifle.

  • united nations
  • isaiah
  • swords into plowshares
  • peace
  • symbolism
Q7

Why did Ralph lay down his rifle during the confrontation with Benson?

Ralph intentionally walked through the empty streets unarmed after discarding his rifle, choosing vulnerability over violence. This gesture of surrender and peace was inspired by the Isaiah inscription about beating swords into plowshares. When Benson discovered he could not shoot an unarmed man, the cycle of violence was broken.

  • ralph
  • rifle
  • surrender
  • peace
  • confrontation
Q8

What does it mean when Sarah reaches for both Ralph and Benson's hands?

At the climactic moment, Sarah reaches for Ralph's hand and pulls him toward her while extending her other hand to Benson. This ceremonial gesture symbolically unites the three survivors, choosing trust and cooperation over fear and conflict. It represents their decision to build a new society together despite their differences.

  • sarah
  • unity
  • hands
  • symbolism
  • peace
  • new beginning
Q9

Why does the film end with 'The Beginning' instead of 'The End'?

The film closes with the emphatic proclamation 'The Beginning' rather than a traditional ending. This deliberately signals that despite the nuclear catastrophe and the trio's conflicts, their decision to join hands and walk together into dawn represents hope for rebuilding society. The post-apocalyptic world is not an ending but an opportunity to create something new.

  • the beginning
  • ending
  • hope
  • new world
  • future
Q10

How was Ralph able to restore power and water in the city?

Ralph, described as a technical genius, used his practical know-how to reactivate the utilities in a ruined building. He managed to restore both power and water systems, making living possible in the otherwise lifeless city. This technical skill becomes the foundation for his survival and later benefits Sarah and Benson.

  • ralph
  • power
  • water
  • utilities
  • technical
  • survival
Q11

Why was the French radio broadcast significant?

Ralph continuously broadcast on the radio hoping to contact other survivors. When a transmission in French came through confirming that people still existed somewhere beyond their desolate streets, it restored hope that they were not truly alone in the world. This broadcast directly leads to Benson Thacker's arrival by boat.

  • radio broadcast
  • french
  • survivors
  • hope
  • connection
Q12

Why did throwing the mannequin reveal Sarah's presence?

To combat loneliness, Ralph placed mannequins in his apartment as companions. One day he threw one from the building's roof and heard a scream from the street below. That scream revealed Sarah Crandall, who had been secretly watching him from the shadows. Her scream was a startled reaction because she thought Ralph had killed himself.

  • mannequin
  • scream
  • sarah
  • revealed
  • hiding

Movie threads

More Movies Like The World, the Flesh and the Devil, by Mood & Story

Curated lists built around what makes The World, the Flesh and the Devil tick: the same mood, the same kind of story or the same emotional payoff. Each list explains why these movies belong together.

Character-driven post-apocalyptic stories like The World, the Flesh and the Devil

Intimate survival stories focused on the quiet aftermath of catastrophe. Movies like The World, the Flesh and the Devil that focus on intimate human drama after the end. If you enjoyed the quiet, reflective exploration of rebuilding and personal tension in a sparse setting, these films offer similar introspective journeys.

  • atmospheric
  • lonely
  • reflective
  • tense
  • melancholic
  • hopeful
  • Tone: reflective, melancholic, tense
  • Pacing: slow, atmospheric
Why these movies?

The story pattern: Narratives often begin with a lone survivor navigating an empty world, establishing a fragile sense of order. The introduction of other survivors creates new conflicts—personal, social, or ideological—that test the possibility of rebuilding society, leading to an emotionally resonant conclusion.

Why they belong together: These films are grouped by their shared emphasis on character psychology over spectacle, a slow, deliberate pacing that allows for atmospheric immersion, and a thematic focus on the fundamental challenges of human connection and society in extremis.

Movies with hopeful resolutions after social tension like The World, the Flesh and the Devil

Stories where deep-seated societal divisions resolve into a fragile optimism. If you liked the way The World, the Flesh and the Devil builds tension from racial dynamics but concludes with a hopeful gesture, these similar films explore deep social conflicts that ultimately move toward a positive or unifying ending.

  • tense
  • hopeful
  • dramatic
  • thought-provoking
  • social commentary
  • uplifting
  • Tone: tense, hopeful
  • Pacing: steady, character driven
Why these movies?

The story pattern: The plot is driven by interpersonal friction rooted in broader societal problems, creating a microcosm of a larger conflict. The tension escalates to a critical point, but is ultimately defused not by force, but by a breakthrough in understanding, choice, or symbolic unity, resulting in a hopeful or 'new beginning' ending.

Why they belong together: These movies share a specific narrative and tonal structure: they present a serious social problem through intimate character drama, maintain a tense atmosphere, and crucially, deliver a conclusion that is meaningfully hopeful without dismissing the complexity of the issues raised.

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Every angle

The World, the Flesh and the Devil (1959) Explained: Plot, Timeline & Characters

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