The Woodsman and the Rain

In the quiet folds of a deep countryside, a solitary lumberjack tends to the rhythm of trees and the echo of loss. Katsuhiko Kishi lives a life shaped by the recent death of his wife, and the distance that has grown between him and his teenage son, Koichi. Their world is one of modest routine, where the forest’s steady breath masks the unspoken grief that lingers in the home they share.

One afternoon a small film crew arrives, searching for a perfect outdoor setting for a zombie movie. Their eager director, Koichi Tanabe, and the practical chief, Mr. Torii, recognize something in the lumberjack’s familiarity with the land and ask for his assistance. What begins as a pragmatic request—to guide them to a suitable location—quickly blossoms into an invitation for Katsuhiko to step onto the set, blurring the line between his solitary craft and the bustling, imaginative world of movie‑making.

As cameras start to roll, the forest becomes a stage, and the lumberjack finds himself drawn into a collaborative dance with strangers who bring a different kind of energy to the rural silence. The juxtaposition of his grounded, hands‑on life with the fantastical, make‑believe of a zombie production teases fresh possibilities for connection—both with the eager director and his own son, who watches from the periphery. The film’s presence hints at a subtle transformation, offering a gentle, hopeful spark that could bridge the gaps left by loss, while the landscape itself remains a steadfast backdrop to whatever stories may unfold.

Last Updated: September 26, 2025 at 04:39