The Strange Case of Angelica

In the rolling vineyards of Peso da Régua, Portugal, the year 2000 feels both timeless and on the brink of change. The landscape is steeped in old‑world traditions, the scent of earth and grape‑vine mingling with the distant echo of rain‑soaked stone walls. Within this atmospheric setting, a modest guesthouse run by a kindly matriarch offers refuge to travelers seeking solitude. The air is heavy with quiet reverence, a place where history seems to linger in the corners of each room, inviting anyone who arrives to become part of its lingering story.

Isaac, a young Sephardic photographer, arrives with a camera and a restless curiosity, eager to document the region’s ancient viticultural practices. He is drawn into a delicate commission: to capture the final portrait of a recently deceased young woman from a wealthy family. The commission introduces him to Angélica, whose memory haunts the elegant yet somber estate of Quinta das Portas. From the moment their eyes meet across the lens, an uncanny, almost cinematic connection is forged, hinting at something beyond the ordinary snap of a shutter.

The film unfolds with a tone that balances lyrical melancholy and subtle unease. Light filters through the estate’s grand windows, casting shadows that seem to shift with the flicker of memory, while the distant hum of the vineyards offers a steady, grounding rhythm. As Isaac moves through the corridors and the surrounding countryside, the presence of Angélica lingers like a faint perfume, prompting a growing sense of being watched by something both beautiful and unresolved. The atmosphere suggests a quiet haunting, inviting the audience to wonder how the delicate threads of art, grief, and the unseen intertwine in a place where the past refuses to stay silent.

Last Updated: August 10, 2025 at 08:09