Year: 1972
Runtime: 154 mins
Language: English
Director: Peter Medak
When the Earl of Gurney dies in a cross‑dressing mishap, his schizophrenic son Jack inherits the estate. Jack, convinced he is Jesus reborn, spends his days singing and dancing around the grounds. The family, deeming him unfit, plots to seize his inheritance, but their insane schemes and attempts to “cure” him only lead to disastrous results.
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Explore the full timeline and setting of The Ruling Class (1972). Follow every major event in chronological order and see how the environment shapes the story, characters, and dramatic tension.
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Explore the central themes of The Ruling Class (1972), from psychological, social, and emotional dimensions to philosophical messages. Understand what the film is really saying beneath the surface.
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Dark comedies where the pursuit of power and sanity unravels in absurd chaos.If you enjoyed The Ruling Class, you'll find similar movies here. These films are dark comedies that use absurd scenarios and sharp wit to critique society, often focusing on themes of madness, power, and institutional decay, resulting in a complex and unsettling viewing experience.
Stories in this thread typically follow a protagonist or system as it descends into chaos, often triggered by a fundamental clash between delusion and reality. The narrative is complex, building steadily towards a grim conclusion where satire exposes a deeper, disturbing truth about power, corruption, or the human psyche.
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Stories of aristocratic or powerful families collapsing under the weight of their own secrets.Explore more movies like The Ruling Class that delve into the dark hearts of powerful families. These dramas and dark comedies feature complex characters, themes of inheritance and madness, and a steady unraveling of privilege and power, leading to often bleak conclusions.
The narrative pattern involves an inheritance or a crisis that exposes the deep-seated corruption and mental instability within a family. As schemes are hatched and alliances shift, the story builds with a steady pace towards an inevitable, disastrous outcome that comments on the cyclical nature of trauma and power.
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