The Rest Is Personal…

Set in the modern era, the narrative follows contemporary relationships and urban wandering. The film uses a blend of realistic city life and myth-inspired episodes, indicating present-day concerns with love, privacy, and perception. The mythological framework sits atop a current-day backdrop.

The story unfolds in a contemporary Indian urban landscape, weaving street life with a quest for love. It blends everyday city scenes—pavements, bus-stops, and rickshaw rides—with mythic motifs drawn from Hindu legend. The setting highlights how tradition and modern life intersect in personal journeys.

🪄 Illusion

Illusion threads through Pramit and Amit's pursuit of love, where the line between reality and maya blurs. The journey to Mohini mirrors inner desires, turning love into a puzzle rather than a simple connection. Hindu myth is used to frame romance as a tests of perception rather than certainty. The film invites viewers to question what is real in the search for love.

🎬 Cinema as Metaphor

Cinema is presented as more than storytelling; it's a montage of personal experiences. The protagonist is an independent filmmaker, and the cameraman's lens shapes how love is seen and recorded. The expressionist style and mood-driven scenes emphasize subjective truth over objective clarity. The film uses filmmaking itself to explore how art shapes memory and desire.

🗝️ Myth in Modernity

Ancient Hindu myths, especially Mohini and Vishnu's disguise, provide a framework for the lovers' pursuit. The story juxtaposes timeless myth with contemporary urban life, suggesting that myth remains a lens through which modern humans interpret love. The quest exposes how myth can guide yet mislead, revealing the limits of desire. The film invites interpretation by blending sacred narratives with personal discovery.