The Only One

In a modest town where the quiet of everyday life masks deeper currents, Lucien Knops, an eight‑year‑old widower with a stubborn streak, shifts his world after his wife’s passing. He moves into his daughter’s home, a space already accustomed to routine, and his uncompromising habits quickly clash with the rhythms that have steadied the household for years. The film opens with a delicate balance between affection and friction, setting a tone that feels both intimate and gently uneasy.

Gerda, Lucien’s adult daughter, faces the sudden pressure of caring for a parent whose independence seems both admirable and confounding. She watches his daily battles with the house’s routines, all while juggling her own plans and the looming question of inheritance. There’s a subtle undercurrent of anxiety as she contemplates what a future care facility might mean for both her and her father, creating a palpable tension that underscores their relationship.

When Lucien announces his intention to return to his old house, he adds a surprising twist: a new partner will soon join him. This declaration unsettles Gerda and reshapes the family’s expectations. Around the same time, a fresh presence appears next door in the form of Sylvia, a charismatic neighbour whose energy hints at possibilities beyond the familiar. Meanwhile, Mathilde, the wife of Lucien’s longtime friend, drifts into the picture, offering a glimpse of past connections and unspoken histories that linger in the background.

The film’s mood is a quiet, observant study of aging, autonomy, and the subtle negotiations that bind family together. Its style leans toward understated humor and tender drama, inviting the audience to linger on the small gestures that reveal larger truths. As the characters navigate the shifting landscape of duty, desire, and the fear of change, the story asks what it means to grow older while still yearning for companionship and a sense of purpose.

Last Updated: October 14, 2025 at 03:49