The Man Who Came to Dinner

In a crisp, holiday‑touched Ohio town, a live television capture of Roundabout Theater Company’s revival of a classic Kaufman‑Hart farce becomes the backdrop for a comedy of manners. The broadcast frames a world where sharp wit collides with the ordinary rhythm of a Midwestern household, inviting viewers to watch the inevitable pandemonium unfold behind a door that should have been merely a guestroom.

The story centers on Sheridan Whiteside, a celebrated, razor‑sharp theater critic whose reputation for biting commentary precedes him. While on a cross‑country lecture tour, a slip on icy steps strands him at the doorstep of a well‑meaning couple. Rather than a brief stopover, his stay stretches into the festive season, and his larger‑than‑life persona begins to dominate the space, turning polite hospitality into a stage for his acerbic humor.

The household itself is a study in gentle suburban order. June Stanley opens her home with earnest warmth, while her husband, Mr. Stanley, tends to the practical side of the house. Their matriarch, Mrs. Ernest W. Stanley, is drawn into the critic’s orbit, and the domestic equilibrium is further tested by Maggie Cutler, the nurse and aide who balances professionalism with a growing sense of curiosity. Nearby, local newspaperman Bert Jefferson and glamorous actress Lorraine Sheldon add layers of aspiration and intrigue, while the ever‑present friend Banjo provides a steady, if mischievous, counterpoint.

Against this tapestry of small‑town charm and larger‑than‑life personality, the tone remains brisk and effervescent. The film revels in rapid dialogue, escalating misunderstandings, and the charming absurdity that results when a notorious critic inhabits a world that values quiet routine over razor‑sharp prose. The audience is left with a sense of delightful anticipation, wondering just how far the household’s patience and decorum will stretch in the face of relentless, comedic provocation.

Last Updated: October 23, 2025 at 16:23