The Last Chase

In a near‑future United States reshaped by an oil crisis and a devastating pandemic, the promise of democracy has slipped into a tightly controlled authoritarian order. Private ownership of cars, boats, and aircraft is forbidden, and a pervasive surveillance network watches every movement. The nation’s propaganda celebrates the virtues of mass transit, while streets are lined with empty gas stations and the hum of electric patrols. The atmosphere is a stark blend of high‑tech monitoring and the lingering dust of a world that once ran on gasoline, creating a setting that feels both familiar and eerily alien.

Amid this climate of conformity, Franklyn Hart stands out as a reluctant emblem of the regime’s message. Once a celebrated race‑car driver, he now serves as the public face of the state‑run transportation system, delivering polished speeches that extol collective travel while internally wrestling with the loss of personal freedom. Beneath the polished veneer of his propaganda role, Hart harbors a quiet defiance, a lingering love for speed and the open road that the new order has all but erased.

Secretly, Hart has been coaxing an orange Porsche 917 back to life, hidden away in a concealed workshop where he scavenges parts from abandoned junkyards. This restored vintage racer becomes the focal point of an audacious plan: a cross‑country drive from Boston to the untamed horizon of California, a symbolic journey aimed at reigniting the spirit of independence that once defined the nation. The mere notion of such a trek in a world that forbids private vehicles crackles with tension, hinting at a clash between oppressive control and the timeless human yearning for freedom.

Last Updated: December 04, 2025 at 17:19