The Humans

The ending of “The Humans” suggests that most of the horror the characters experience is rooted in their own minds and emotional states, rather than actual monsters or supernatural threats. Throughout the film, the characters confront their personal fears, secrets, and anxieties that are symbolized by the strange noises, electrical failures, and the unsettling atmosphere of the cramped apartment. Eric, who is overwhelmed by financial worries and past guilt—especially his affair and the pressure of supporting his family—begins to see horrific visions, including the woman with no facial features. These manifestations, along with the strange noises and distortions in the apartment, appear to reflect his inner turmoil.

When the power goes out and he witnesses shadows and distorted pipes, he initially fears a physical monster is about to emerge. However, these are ultimately revealed to be manifestations of his own fears, with the figure of the old neighbor and the eerie environmental disturbances symbolizing his anxiety and guilt rather than real threats. The film’s climax, where Eric prays in disbelief and then leaves the apartment, underscores the idea that the horror was internal rather than external. The other characters’ reactions—feeling frightened or disturbed by the eerie noises and events—also point to their own unresolved issues and fears.

In essence, “The Humans” uses its horror elements as a metaphor for the psychological pressures everyone carries—faults, regrets, fears about aging, and financial instability—proving that sometimes, the monsters we fear are merely reflections of ourselves. The film closes with Eric gathering his belongings and stepping out into the outside world, symbolizing the possibility of confronting these inner demons and moving forward, despite the haunting echoes of their personal struggles.

Last Updated: June 25, 2025 at 08:59