The Goddess of 1967

In the sleek, neon‑tinged streets of Tokyo, a young, affluent IT specialist feels an unexpected emptiness despite his polished life. Drawn to the mythic charm of a 1967 Citroën DS—revered by enthusiasts as “the Goddess”—he becomes fixated on acquiring the flawless classic, convinced it might fill the quiet void in his high‑tech world. Leaving behind his pristine apartment and the rhythm of the city, he embarks on a sudden trip to Australia, chasing the promise that the car represents.

Upon arriving in the sun‑baked outskirts of the continent, he encounters BG, a blind young woman caring for a child, whose presence is both enigmatic and unsettling. She hints at a complicated history tied to the car’s elusive owner and suggests that the only way to find the vehicle’s true seller lies far beyond the coastal towns, deep within the stark, endless outback. Their uneasy partnership forms the core of the story, as the businessman’s precise, analytical mindset collides with her sensory, instinct‑driven world.

The film unfolds across a vast, unforgiving landscape where red earth meets endless horizon, contrasting the sleek modernity of the protagonist’s background with the raw, timeless wilderness of the interior. Atmospheric and contemplative, the tone blends quiet tension with moments of unexpected tenderness, as the two travelers navigate both the physical road and the unspoken distances between them. The Citroën itself looms as a symbol of perfection and longing, its presence felt even before it appears.

As they venture deeper into the outback, the journey becomes a canvas for subtle self‑discovery. The juxtaposition of technology and vintage craftsmanship, the silence broken only by the wind and the occasional radio sigh, invites viewers to wonder what each character seeks beyond the surface—whether it is redemption, connection, or simply a sense of belonging in a world that feels both familiar and alien.

Last Updated: October 23, 2025 at 16:24