The Art of Negative Thinking

In a modest town where everyday life is tinged with quiet resilience, a local disability support group sets out in a van to visit Geirr, a 33‑year‑old whose accident left him paraplegic and struggling with bitterness. His wife Ingvild hopes that a session with a new positivity workshop might redraw the edges of their strained world, and she signs him up despite his reluctance. The film opens amidst the soft hum of road travel, the clatter of wheelchair wheels, and the lingering scent of stale coffee, establishing a grounded, understated atmosphere that feels both intimate and universally recognizable.

The workshop is led by Tori, a charismatic facilitator who runs the group with a firm mantra: no negativity, only solutions. Among the participants are Marta, a quadriplegic climber; her self‑absorbed boyfriend Gard; Asbjørn, a stroke survivor wrestling with hidden anger; and Lillemor, an older, divorced woman whose complaints echo deeper fears. Each character arrives carrying a distinctive mix of hope, trauma, and the pressure to maintain a bright façade—a dynamic that sets the stage for a delicate dance of empathy and tension.

From the outset, the central conflict revolves around the clash between enforced optimism and the raw honesty of lived pain. Geirr sees through the glossy veneer of constant positivity and pushes back, questioning whether some struggles can truly be solved with cheerful platitudes. His quiet defiance introduces a subtle undercurrent of doubt that ripples through the group, hinting at a possible reexamination of the rules governing their interactions.

The tone remains thoughtful and unflinching, balancing moments of dry humor with the weight of authentic struggle. As the characters gather, the film invites the audience to contemplate the limits of optimism, the strength found in acknowledging darkness, and the fragile bonds that can form when people are allowed to speak their truths—even when those truths are uncomfortable.

Last Updated: October 14, 2025 at 03:48