Year: 1977
Runtime: 125 min
Language: German
In Hamburg, American expatriate Tom Hopper is involved in art forgeries when he's drawn into a murder plot. He’s tasked with finding a suitable hitman, and his search leads him to Jonathan Ganz, a man with cancer who wants to secure his family’s future. As they plan the job, their partnership becomes increasingly complex, blurring the lines between right and wrong and testing their loyalties in this suspenseful thriller.
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Tom Ripley is a wealthy American residing in Hamburg, Germany. He finds himself entangled in a forgery scheme, where he artificially inflates auction prices of supposedly newly-discovered artworks by an artist who has staged his own death. During an auction, he meets Jonathan Zimmermann, a picture framer suffering from leukemia. Upon introduction, Zimmermann coldly comments, >“I’ve heard of you,” which leads to an awkward departure.
Enter Raoul Minot, a French criminal, who proposes to Ripley that he eliminate an American gangster. Initially, Ripley refuses the job but feels compelled to take revenge for Zimmermann’s previous slight. He whimsically suggests that Minot use Zimmermann as the hitman. Ripley spreads rumors of Zimmermann’s declining health, prompting Minot to offer him a lucrative deal to take out the gangster. Although Zimmermann initially declines, facing the reality of his illness, he ultimately agrees to accompany Minot to France for a second opinion. Minot manipulates the medical results to instill a sense of urgency in Zimmermann, compelling him to comply with the assassination plot for the sake of his wife, Marianne, and son, Daniel.
In a surprising turn, Ripley visits Zimmermann before and after the planned murder, presenting himself as merely seeking a framing service. Unbeknownst to Zimmermann, Ripley is the architect behind this deadly scheme, yet a bond begins to develop between them after Zimmermann apologizes for his earlier rudeness.
Minot updates Ripley on the success of Zimmermann’s hit, yet an unsettling request follows: Zimmermann is to kill another gangster aboard an international express train to instigate a gang war. During this tense scenario, the gangster manages to catch Zimmermann off guard. However, at a critical moment, Ripley emerges and assists Zimmermann in overpowering both the target and his bodyguard, disposing of their bodies from the moving train. Back in Hamburg, Ripley admits to recommending Zimmermann to Minot, and when offered money for the second hit, he gracefully declines while urging Zimmermann to keep his involvement secret.
However, living a double life proves to be taxing for Zimmermann, creating strain in his marriage. Marianne grows suspicious of his stories about travel and experimental treatments, ultimately deciding to leave with Daniel. This departure sends Zimmermann into despair. Minot soon visits, inquiring whether Zimmermann has insights into a recent bombing at his flat. When Zimmermann mentions, “we killed the man on the train,” it raises Minot’s suspicions about Ripley’s loyalty.
In desperation, Zimmermann reaches out to Ripley. The two men prepare for an oncoming threat from the assassins they expect. When they are ambushed, Ripley and Zimmermann spring into action, taking down the American gangsters. However, chaos ensues as Minot, having been captured and beaten, makes his escape amidst the confusion.
Ripley manages to gather the bodies into the ambulance provided by the gangsters. Before they can make their exit, Marianne confronts Zimmermann, revealing that the French medical reports were fraudulent. Offering a way out, Ripley suggests they all team up to navigate the ensuing crisis. As they head towards the coast in the ambulance, Ripley ignites a dramatic closure by dousing it in gasoline and lighting a fire. In a heart-pounding moment, Zimmermann loses control of the car and tragically dies at the wheel, while Marianne miraculously pulls the emergency brake, escaping the catastrophe.
On the beach, Ripley reflects to himself, “Oh well. We made it anyway, Jonathan. Be careful.”
Last Updated: November 16, 2024 at 15:12
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Reluctant allies are forced into a high-stakes crime with a bleak outcome.If you liked the tense, forced alliance in The American Friend, explore more movies like it. This collection features suspenseful crime stories where reluctant partners are drawn into dangerous plots, testing their loyalties and leading to grim conclusions.
The narrative follows an ordinary or vulnerable individual who is coerced or manipulated into a criminal partnership with a more morally ambiguous figure. The story revolves around the tense, paranoid development of this bond, the planning and execution of a high-stakes crime, and the inevitable tragic consequences that unravel their lives.
Movies are grouped here for their shared focus on a central, tense partnership born from desperation or manipulation. They deliver a specific kind of suspense rooted in character dynamics rather than just action, often culminating in a fatalistic or sad ending that underscores the fragility of such forced alliances.
Morally ambiguous characters navigate a bleak world of crime and deception.For viewers seeking films with the existential mood of The American Friend. Discover similar neo-noir dramas and thrillers that explore themes of moral ambiguity, loneliness, and deception within a stylistically dark and suspenseful crime narrative.
The narrative is less about the mechanics of the crime itself and more about the psychological and existential impact on the protagonist. The plot serves as a catalyst for the character to confront their own isolation, mortality, and the blurred lines between right and wrong, often leaving them in a state of despair or resignation.
These movies are grouped by their shared mood and thematic depth. They prioritize a melancholic, paranoid atmosphere and explore weighty themes like existential crisis and moral decay, creating a specific, thoughtful, and emotionally heavy viewing experience within the crime genre.
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