The 12 Days of Christine

In Christine Clarke lives a life that feels comfortably ordinary: a modest flat in a bustling city, a steady rhythm of work, friends, and the occasional celebration. When a chance encounter at a New Year’s Eve party leads her to bring a handsome stranger, Adam, back to her doorstep, the night feels like the start of something new, a promise that ordinary days might finally tilt toward excitement.

Soon, the walls of her apartment begin to echo with subtle, unsettling shifts. Her flatmate, Fung, and her aging parents—Marion and Ernie, the latter battling the slow haze of Alzheimer’s—populate her world with familiar warmth, yet hints of something off‑kilter linger beneath everyday conversations. The film paints each domestic scene with a keen attention to detail, allowing the viewer to settle into the rhythms of shared meals, quiet evenings, and the gentle pressures of family expectations.

Against this backdrop, a new presence slips into the night: the Stranger, a shadowy figure who appears without warning and leaves behind a lingering sense of unease. His quiet apologies and inexplicable entrances raise more questions than answers, turning the familiar corridors of Christine’s home into a maze of whispered doubts. The tone balances the mundanity of daily life with an ever‑growing sense of dread, suggesting that what lies just beyond the periphery of perception may be far more unsettling than any overt threat.

The movie’s style is a slow‑burning psychological study, blending muted, naturalistic visuals with a soundtrack that subtly heightens tension. As Christine navigates love, family, and the growing mystery of the nighttime visitor, the audience is invited to share her creeping suspicion that something essential is shifting in her world—leaving us to wonder whether the true horror lies in the unknown intruder or in the cracks forming within the life she thought she knew.

Last Updated: September 24, 2025 at 05:00