Studio 666

In the midst of a decade‑long creative slump, the Foo Fighters retreat to an expansive Encino mansion to lay down tracks for their tenth album. The house, a sprawling relic of 1970s excess, exudes a lingering, uneasy atmosphere that seems to pulse with the echoes of its dark history. As the band sets up their studio rooms amid dusty hallways and shadowed rooms, the line between inspiration and dread begins to blur, turning recording sessions into a strange dance with the unknown.

Leading the charge is Dave Grohl, whose restless drive to break through the block is matched only by an almost child‑like fascination with the house’s hidden corners. Around him, the seasoned lineup—Taylor Hawkins, Rami Jaffee, Nate Mendel, Chris Shiflett and Pat Smear—each bring their own blend of rock‑star swagger and uneasy curiosity. The group’s camaraderie, seasoned by years on the road, becomes both a source of humor and tension as they navigate the mansion’s quirks, from creaking floors to inexplicable drafts that seem to whisper in time with their riffs.

The film balances the grit of a hard‑rock recording process with the off‑kilter vibe of a horror‑comedy, letting the mansion itself become a character that both haunts and fuels the creative fire. The mood swings between laugh‑inducing moments—band banter, absurd studio mishaps—and an underlying sense of menace that hints at forces far beyond ordinary house noises. As the Foo Fighters press on, the audience is left wondering whether the house will become a muse that finally unlocks the album, or a trap that pulls them deeper into a nightmarish riff of reality and illusion.

Last Updated: August 10, 2025 at 00:20