Something Beneath

In the sleek, newly‑opened Cedar Gates Conference Center, an ecological summit gathers hopeful voices eager to showcase sustainable progress. Beneath the polished halls, however, a strange black slime seeps from the building’s plumbing, turning the venue’s promise of green innovation into a subtle and unsettling threat. The seepage is more than a mess; those who come into contact with it are plagued by disturbing hallucinations that blur the line between personal trauma and collective tragedy, casting a shadow over the conference’s bright ambitions.

Father Douglas Middleton arrives as the event’s resident priest, drawn to the gathering by both duty and a quiet reverence for the natural world. He meets Khali Spence, the confident coordinator tasked with keeping the convention on track. Their partnership quickly reveals a contrast of perspectives: Middleton’s measured, faith‑guided calm balances Khali’s pragmatic, hands‑on approach, yet both sense an undercurrent of something far older and more hostile than any ordinary hazard. Their dialogue hints at deeper cultural ties, especially when Khali draws upon an ancestral necklace blessed by her Ojibwe grandmother, suggesting that old wisdom may be the key to confronting the unknown.

The atmosphere of the film fuses sci‑fi dread with psychological horror, letting the slime’s mysterious properties seep into the characters’ minds and the very architecture of the center. Shadows flicker in corridors, whispers echo through conference rooms, and the once‑bright optimism of the environmental showcase mutates into a tense, claustrophobic arena where reality itself feels malleable. As the convention unfolds, the crew must navigate not only the logistical challenges of a high‑profile event but also the creeping dread that something ancient has taken root in the very ground they stand on.

Last Updated: October 11, 2025 at 19:45