Sleeping with the Fishes

In a vibrant Brooklyn neighborhood where Latino and Jewish traditions collide, the world of Alexis Fish feels both familiar and wildly unpredictable. The city’s streets pulse with the kind of humor that slips between “¡Ay, Dios mío!” and “Oy vey,” setting a tone that is as colorful as the family gatherings it frames. Against this lively backdrop, Alexis navigates a life that has been upended, balancing the remnants of a once‑stable existence with the absurdity of the odd jobs that now fill her days.

Returning home for her aunt’s funeral, Alexis steps back into a household that brims with eccentricity and well‑meaning pressure. Her mother, a force of love wrapped in overbearing concern, immediately senses the cracks in her daughter’s façade. Meanwhile, her older sister, Kayla, bursts onto the scene with comic‑book obsession and a knack for dramatic flair, offering both comic relief and an unexpected lifeline. The family’s dynamic—steeped in cultural mash‑ups and sharp one‑liners—provides a stage where Alexis can confront the disarray of her finances, her identity, and the lingering shadows of her past marriage.

Amid the chaos, a subtle spark of possibility begins to flicker. A tentative romance hints at healing, while the support from Kayla and the lively, if sometimes overwhelming, family environment suggest that Alexis might rediscover who she is beyond the roles she’s been forced into. The film invites viewers to watch a woman teeter between the familiar comforts of her roots and the uncharted waters of self‑redefinition, all while laughing at the absurdities that life throws her way.

Last Updated: September 01, 2025 at 14:31