Year: 1975
Runtime: 88 mins
Language: English
Director: Fred G. Thorne
A buxom, beer‑loving country girl leaves her hometown for Miami, hoping to charm a wealthy older man who can bankroll her family’s struggling restaurant. Her bold optimism delights the local men while infuriating the sheriff, leading to a wild clash of small‑town values with the flashy, sun‑soaked city.
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Read the complete plot breakdown of Sixpack Annie (1975), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.
In the Southern United States town of Titwillow, two attractive young women set out for a day at the diner. Annie [Lindsay Bloom] and Mary Lou [Jana Bellan] ride in a pickup, with Annie behind the wheel, speeding along and sipping beer as the sun climbs. Their passenger and stumbling comic relief is Sheriff Waters [Joe Higgins], a local lawman who trails the car all the way to the diner, only to slip on a banana peel and take a pratfall, much to the amused delight of the diner’s regulars Hank [Doodles Weaver] and Luke [Ronald Lee Marriott], who happen to be watching the mishap unfold.
The diner’s owner, Aunt Tess [Danna Hansen], is fighting to keep her place from the clutches of a bank determined to foreclose on her mortgage—now behind by 5,641 dollars and 87 cents. Sheriff Waters briefly detains Annie and her boyfriend Bobby Joe [Bruce Boxleitner], accusing them of nude swimming, but he later releases her and proposes to settle Aunt Tess’s debt if Annie would marry him. Yet the sheriff’s pockets contain only a few hundred dollars, and his plan is to recoup the rest by “collecting parking tickets.”
Seeking the money, Annie and Mary Lou travel to Miami to visit Annie’s sister Flora [Louisa Moritz], who lives in a stylish apartment and seems to earn her income through arrangements with men who pay for companionship. Flora’s client list includes a nervous married man who hides in a large wicker basket when the sisters arrive, as well as other would‑be benefactors who float in and out of her world. Flora briefly hints that Annie should find a sugar daddy, but the hopeful prospects soon multiply into a parade of characters: Louis Danton, a wealthy Frenchman with a Napoleonic swagger who wears a uniform and carries a wooden horse head on a stick; Mr. O’ Meyer, who goes by “Oscar Meyer,” calls himself “as rich as Rockefeller,” and uses charm to lure and then take what little money Annie has, leaving behind a note signed “The City Slicker.” In the mix, moneyed Texan Jack Whittlestone [Richard Kennedy] arrives, only to reveal a fiercely possessive wife, Edna [Montana Smoyer], who presses a shotgun to his nose in a tense moment of doubt and danger.
Disheartened and more than a little wary, Annie and Mary Lou return to Titwillow just as Sheriff Waters and banker Piker [Donald Elson] arrive to seal Aunt Tess’s fate. A new buyer appears in the form of Mr. Bates [Stubby Kaye], a traveling salesman who also collects jewelry, and he offers a tempting 7,000 dollars for Annie’s necklace. The sequence culminates in a comic, chaotic accident when Waters, wearing a wide‑brimmed hat, is bumped by a small, uncredited midget baker carrying white cream pies. One of the pies lands squarely on the sheriff’s face, a messy but humorous end to the day’s fraught meddling and a reminder of Titwillow’s stubborn endurance.
The story dances between ambition, flirtation, and sudden misfortune, painting a portrait of a small town where resilience and a sense of humor keep people moving, even when schemes and schemes of romance collide with hard realities.
Last Updated: October 09, 2025 at 11:06
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