Year: 1988
Runtime: 101 min
Language: English
Director: George Roy Hill
A sportswriter seeking inspiration and a quieter life leaves the city with his wife to run a Vermont farm. They quickly discover that rural living isn't the idyllic escape they envisioned, as eccentric neighbors and the demands of farm life create constant chaos. As his writing career stalls and his marriage faces challenges, the writer resorts to increasingly desperate attempts to recapture his creative spark and save his relationship.
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In this story set in the quiet charm of Redbud, Vermont, Andy Farmer is a New York City sports writer who leaves the bustle of the city to live with his wife, Elizabeth, so he can focus on writing a novel. The couple’s move quickly reveals more about the town than they bargained for: they struggle to gel with the locals, and a string of oddities gnaws at their already-fragile relationship, including the startling fate of Claude Musselman, a man long dead who still appears to burden the couple with exorbitant funeral bills for land that they did not own when he was buried.
As they settle in, marital tensions rise against a backdrop of Redbud’s quirks. Elizabeth writes her own children’s books, while Andy remains unsure about his manuscript and how the town will react to it. The trouble intensifies when their publisher, Michael Sinclair, arrives in person after letters about a looming deadline go unanswered. To avoid returning the advance, Andy makes a risky choice: he takes one of Elizabeth’s manuscripts and presents it as his own work. The ruse backfires in a painful way when Elizabeth receives a call from Sinclair praising “his” children’s book, and she confronts Andy with anger and betrayal.
The dispute pushes the couple toward divorce, and they decide to sell their home. In a bid to move the process along, the Farmers offer Redbud a substantial incentive: a $15,000 donation to the town and $50 cash to each resident who helps create a favorable impression for prospective buyers. The residents rally to transform Redbud into a perfect Norman Rockwell-esque town, sparkling with an idealized warmth and neighborly charm. This bold gesture catches the attention of Bud and Betsy Culbertson, two potential buyers who tour the town and seem ready to make an offer. Yet Andy has a change of heart, realizing that he genuinely enjoys the small-town way of life and decides not to sell the house.
With the decision to stay in Redbud, the couple’s optics shift—and the locals’ mood darkens. They are furious that the promised money was tied to a sale that never happened, and Mayor Barclay remarks that the Farmers should not be held responsible for the missing payout. In a conciliatory move that helps defuse the growing tension, Andy chooses to personally reimburse every resident the $50, reasserting his standing in the community and signaling a new, cooperative path forward.
As the film draws to a close, Andy embraces a new role in the town’s life: he becomes the sportswriter for the Redbud newspaper, embedding himself more deeply in local stories and affairs. Elizabeth, meanwhile, is pregnant with their first child and has channeled her talent into writing still more children’s stories. The final note suggests a renewed partnership between the couple and a deeper sense of belonging to Redbud, where appearances may be crafted, but friendship, family, and a shared life feel more real than any facade.
Last Updated: October 04, 2025 at 10:30
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