Roy

A renowned but roguish filmmaker and screenwriter whose passion for the Guns trilogy masks personal insecurity. He spirals into depression after his relationship with Ayesha ends and struggles to finish the third film. His journey centers on confronting his past and finding a new path forward, including family influence and financial pressures.

An infamous international art thief whose exploits capture imaginations and law enforcement alike. He steals a painting, falls for its owner, and ultimately seeks redemption by returning the work. His arc runs parallel to Kabir's, highlighting a turn from deceit to emotional openness.

A London-based film-maker who becomes Kabir's love interest. She ends their relationship when she suspects Kabir of repeating his casanova past, then revisits their bond only later as circumstances evolve. Her arc reflects professional ambition colliding with personal trust.

Kabir's assistant who offers practical counsel and helps steer the creative process. She suggests attending a film festival as a way to complete the story, serving as a catalyst for Kabir's reinvestment in the project.

A detective involved in the parallel thread of Roy's theft, representing law enforcement's pursuit of an elusive thief. He embodies the investigative perspective that threads through the film's double narrative.

The owner of the painting who lives in a large mansion and forms a bond with Roy before realizing his true intent. Her forgiveness and acceptance of Roy symbolize the possibility of change and second chances.

Part of the financier circle in Kabir's world; the investors' relationship with Kabir drives the legal pressures that eventually push him to complete the film. His presence marks the commercial stakes behind the cinematic project.

Kabir's father who dies during the film, an event that intensifies Kabir's personal and financial troubles. His passing amplifies the push to finish Guns 3 and settle family debts.

A character who features in the parallel threads and represents the world of performance and social circles around the filmmaking and crime stories. She adds another layer to the film's social dynamics.