Restoration

In the heart of downtown Tel Aviv, a modest workshop named Malamud & Fidelman lives on the edge of a rapidly changing neighborhood. The space breathes the scent of sanded wood and old varnish, a quiet sanctuary that feels out of step with the city’s sleek new towers and bustling cafés. The film’s tone is intimate and contemplative, inviting viewers to linger over the texture of craftsmanship while feeling the subtle pressure of an urban renaissance that threatens to sweep away the old ways.

_ Yaakov Fidelman_ is the workshop’s master carpenter, a man whose hands seem to remember every grain of timber he has ever shaped. His devotion to the art of restoration is matched only by a stubborn reluctance to engage with the business side of things, leaving him adrift in a world that increasingly values profit over tradition. The sudden loss of his longtime partner, Max, tips the delicate balance of the shop, introducing a new layer of uncertainty that reverberates through its walls.

The heir to the legacy, _ Noah Fidelman_, arrives from a polished legal career, carrying with him the ambition to turn the workshop into a lucrative asset amid the real‑estate boom. His pragmatic outlook clashes with his father’s reverence for the craft, setting up a quiet conflict between progress and preservation. Into this dynamic steps _ Anton_, a young, enigmatic helper whose own talent for piano draws him to a neglected 19th‑century Steinway hidden among the tools. His quiet determination to revive the instrument adds a fresh thread of possibility, while his growing connection to _ Hava_, Noah’s pregnant wife, weaves a delicate emotional strand through the story.

As the workshop teeters between two futures, the film lingers on the choices that define what it means to honor a lifetime’s work. It is a study of family, art, and the ever‑present question of whether survival lies in holding fast to tradition or embracing the promise of change.

Last Updated: November 25, 2025 at 14:52