Barry Egan is a California-based bachelor who runs a company selling themed toilet plungers and other novelty items. He lives a highly unglamorous, socially anxious life under the constant scrutiny of seven overbearing sisters who ridicule him and quietly erode his self-esteem. This background of loneliness and volatility shapes Barry into a man who slips from mild irritability into sudden, explosive eruptions, leaving him to grapple with the consequences long after each outburst.
A chain of unusual events nudges him toward change: he witnesses a puzzling car crash, salvages an abandoned harmonium from the street, and unexpectedly meets Lena Leonard, a coworker of one of his sisters. Their encounter blooms into something tender yet tentative, offering Barry a glimpse of connection he has spent years denying himself. Yet the path to affection is bumpy; at a family birthday gathering, the sisters tease Barry about his sexuality, triggering a brutal outburst that shatters sliding glass doors and humiliates him in front of the people he wants to impress. In the aftermath, he privately pleads with a brother-in-law to refer him to a therapist, signaling a willingness to confront his anger and anxiety.
Desperation and loneliness drive Barry into a risky coping mechanism: a late-night phone sex line becomes his fragile comfort, but the operator’s demands soon spiral into extortion. Four brothers are sent to collect, adding a menacing layer to Barry’s already fragile world and threatening to derail his fragile relationship with Lena. Amid this turmoil, Barry hatches a quirky, almost comic plan to exploit a Healthy Choice promotion in pursuit of a million frequent-flyer miles by buying enormous quantities of pudding, a scheme that reveals how his need for control bleeds into even the most ordinary purchases.
When Lena travels to Hawaii on business, Barry follows, compelled to prove his commitment and to lean into a genuine bond rather than retreat into old patterns. The two reconnect as they spend time together, and their romance grows deeper, even as Lena must confront occasional secrecy and miscommunications that test their trust. On the return trip, the quartet of brothers reappears, ramming Barry’s car and leaving Lena with injuries that demand medical attention. Barry fights back with a tire iron, rescues Lena at the hospital, and resolves to put an end to the harassment once and for all by pursuing the man behind the extortion, Dean, in Provo, Utah. The confrontation shifts from a brutal showdown to a reckoning that highlights Barry’s stubborn need for control and, in a surprising way, his capacity to stand up for someone he loves.
Back home, Barry seeks Lena out to explain the sequence of events, offering a pledge of loyalty and a plan to use his mileage hoard to accompany her on future business trips once the pudding miles are processed. Lena admits she was hurt by being left at the hospital, but she forgives him, and the couple shares a quiet, hopeful embrace that signals a new chapter built on trust rather than fear.
The film also grounds Barry’s journey with a broader tapestry of characters who populate this offbeat, tenderly comic world. Han Seung-do and Moon Jung-woong appear in supporting roles that help color the environment around Barry, while Sim Hee-seop plays the “Boxer” among the brothers and Park Jae-cheol portrays Yeong-man, one of the siblings who intersect with Barry’s path toward resolution. These performances add texture to a story that moves from isolation and volatility toward connection, accountability, and the possibility of a steadier happiness.
