Year: 1972
Runtime: 153 mins
Language: Hindi
Director: Kamal Amrohi
A stunning courtesan, trapped in the relentless cycle of prostitution, longs for freedom. When a forest ranger discovers her and falls deeply in love, hope blossoms, but his wealthy, disapproving family stands in the way, threatening any chance of their union.
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Nargis Meena Kumari is a tawaif based in the Muslim quarter of Lucknow. She dreams of marrying Shahabuddin Ashok Kumar, the man she loves, but his family’s patriarch Hakim Saab D.K. Sapru strongly opposes their relationship because he finds it unacceptable to welcome a tawaif as a daughter-in-law into his respected family. Dejected, Nargis flees to a nearby qabristan (cemetery) and lives there, giving birth to a daughter before dying. On her deathbed, Nargis writes Shahabuddin a letter asking him to come for his newborn daughter. Nargis’ sister Nawabjaan Veena is buying jewellery when she finds a piece that is similar to one owned by Nargis. She asks the jeweller its origin and is led to the cemetery. She finds Nargis’ body and her daughter, whom she takes back to her kotha (performance house).
When Nargis’ belongings are sold several years later, a man finds Nargis’ letter and delivers it to Shahabuddin. Shahabuddin tracks down Nargis’ now-adult daughter Sahibjaan Meena Kumari and finds her working as tawaif at Nawabjaan’s brothel. Nawabjaan, however, does not want him to take Sahibjaan away, and flees with her niece to another town. While travelling by train, a young man enters Sahibjaan’s compartment and sees her sleeping. Struck by her beauty, he leaves her a note. After arriving at her destination, Sahibjaan wakes up and finds the note. She reads it and falls in love with the note’s author.
A brothel patron named Nawab wishes to own Sahibjaan and takes her to his boat for a night. The boat, however, is attacked by elephants and Sahibjaan is carried away by the fast-flowing river. She is taken to the riverside tent of Salim, a forest ranger. Sahibjaan reads Salim’s diary and learns it was him who had left her a note on the train. Sahibjaan feigns amnesia to avoid telling him of her profession.
Before sunset, Nawabjaan finds Sahibjaan and takes her back to the brothel. Sahibjaan keeps thinking about Salim and runs away from the brothel. She runs along the railway line and gets her gharara (clothing) stuck there. Upon seeing an approaching train, Sahibjaan panics, stumbles and faints. The train stops before in time and people come to help her. One of them is Salim, who takes her to his home.
Salim and Sahibjaan plan to elope to live peacefully but her profession makes her doubtful of the plan. When Salim proposes marriage, she refuses and decides to return to the brothel. Salim, who is heartbroken, eventually decides to marry someone else at his family’s insistence and invites Sahibjaan to perform a mujra at his wedding. During the recital, Nawabjaan recognises Shahabuddin, Salim’s paternal uncle, and calls him to witness the irony of the situation: his own daughter dancing and entertaining his family. Shahabuddin’s father tries to shoot Nawabjaan to silence her but instead kills Shahabuddin who was trying to protect her. With his dying breath, Shahabuddin asks Salim to marry Sahibjaan. Salim’s doli (wedding palanquin) defies convention and arrives at Sahibjaan’s brothel, fulfilling Shahabuddin’s dying wish.
Last Updated: October 05, 2025 at 12:36
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Dramatic tales of impossible love challenged by oppressive social structures.For viewers who liked the tragic romance in Pakeezah, this collection features movies similar in tone and theme. Discover more romantic dramas about star-crossed lovers, where intense emotional yearning clashes with strict societal rules, creating a deeply melancholic and dramatic experience.
The narrative follows a central, often doomed, romance between individuals from different social strata. The conflict is driven by external forces—family, tradition, or societal prejudice—creating immense pressure on the lovers. The journey is characterized by sacrifice, secret meetings, and a persistent, aching hope that is ultimately tempered by the harsh realities of their world.
These movies are grouped by their shared focus on the pain and beauty of forbidden love. They deliver a heavy emotional weight through a steady, lyrical pacing, creating a melancholic tone that resonates deeply. The visual style is often opulent or dreamlike, contrasting with the characters' internal suffering.
Stories of individuals bound by fate and profession, longing for escape.If you were moved by Sahibjaan's plight in Pakeezah, explore these similar stories of characters confined by their circumstances. These films share a theme of inherited tragedy and secret identity, where the opulent setting contrasts with a profound sense of entrapment and a heavy, dramatic emotional journey.
The narrative centers on a protagonist whose identity is shaped by a restrictive, often beautiful, environment—like a courtesan's kotha or an aristocratic household. Their arc involves a growing awareness of their cage and a desperate, often dangerous, pursuit of freedom. This quest for liberation is frequently intertwined with a love that offers a glimpse of a different life, making the conflict between duty and desire intensely personal.
These films are united by the core theme of entrapment versus the yearning for freedom. They create a powerful, oppressive mood where the protagonist's internal emotional world clashes with their external circumstances. The experience is defined by a bittersweet tone, a steady, character-driven pace, and a focus on the high cost of defiance.
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Discover the characters, locations, and core themes that shape Pakeezah. Get insights into symbolic elements, setting significance, and deeper narrative meaning — ideal for thematic analysis and movie breakdowns.
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