Year: 1934
Runtime: 82 mins
Language: English
Director: Edwin J. Burke
A candid confession unfolds as a woman narrates the rise of a modest gambler who, against all odds, claws his way to the top of the underworld. His ambition for wealth is matched only by his devotion to his wife, leaving him constantly torn between the allure of riches and the love he feels at home.
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Read the complete plot breakdown of Now I’ll Tell (1934), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.
Murray Golden, Spencer Tracy, is an unscrupulous New York City gambler and casino operator who wants to live life to the fullest. His philosophy is encapsulated in something he keeps saying: > “You’re only wrong when you fail.” His wife, Virginia Golden, Helen Twelvetrees, has extracted a promise that he will quit the business once he makes $500,000. However, when he does, he breaks his word. He also starts seeing Peggy Warren, Alice Faye, behind his wife’s back.
Murray learns that gangster Al Mossiter Robert Gleckler has fixed a championship boxing match. He pays one of the fighters to take a dive in the second round, before Mossiter’s man goes down in the fifth, and wins a lot of money. (Mossiter’s boxer is later murdered.) However, Virginia hears about Peggy and threatens to leave Murray. He manages to convince her that Peggy is the mistress of Freddie Stanton, Hobart Cavanaugh, Murray’s friend and associate. He also tells her that he has made enough money and is getting into the insurance business.
Later, Mossiter learns who double-crossed him and vows to get back everything Murray won from the fight. An associate suggests he kidnaps Virginia. When Murray is told about the kidnapping, he races back to the city, but is injured and Peggy is killed in a car crash. Virginia is freed unharmed when the ransom is paid, but she has had enough. She decides to get a divorce.
Years later, Murray receives a telegram from Virginia, telling him she is sailing home from Europe and has a “surprise”. He is overjoyed, assuming she is coming back to him. However, she tells him that she is going to marry someone else. She asks him for her jewelry. He promises to give it to her in a week, though he is down on his luck and has pawned them.
He gets into a poker game with Mossiter and others. After playing for a day and a half, he owes $210,000. Mossiter buys up all of his IOUs and gives him a deadline to come up with the money. Murray shows up at Mossiter’s hotel room and declares he is not going to pay. Furthermore, he says he is going to tell the district attorney who killed the boxer. After Mossiter shoots him, Murray reveals he took out a life insurance policy on himself in order to raise the money to get Virginia’s jewelry back. He boasts that he has outsmarted his killer (winning a $20 bet they had made). The doctor informs Virginia that Murray is dying, so she lies and tells him she is returning to him.
Last Updated: October 09, 2025 at 14:04
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Tragic stories of ambition leading to inevitable ruin in the criminal underworld.If you liked Now I’ll Tell, explore more movies about the tragic arc of gangsters and gamblers. These stories feature a fast-paced, high-intensity narrative of ambition and betrayal, leading to a bittersweet or bleak ending, similar to the gripping downfall in this film.
The narrative typically follows a linear but consequential path: a character sees an opportunity for power or wealth, makes increasingly dark moral choices to seize it, achieves a brief, precarious success, and is ultimately destroyed by the consequences of their actions, often losing everything they held dear.
Movies are grouped here based on their shared focus on a specific character arc—the ambitious rise and inevitable fall within a criminal context—combined with a dark, tense tone and heavy emotional weight that explores themes of greed, betrayal, and fatalism.
Heavy stories where characters are trapped by their own cynical choices.Find movies similar to Now I’ll Tell that explore the heavy theme of fatalism and moral compromise. These films share a dark, gripping tone and a fast-paced narrative where characters are trapped by their choices, leading to a bittersweet or tragic conclusion.
The core pattern is a character's journey into a web of their own making. A single-minded goal leads to a series of escalating compromises. The narrative builds tension not from whether they will succeed, but from the grim certainty of the personal cost, culminating in an ending steeped in regret and consequence.
These movies share a cohesive vibe defined by a bleak, philosophical outlook on choice and consequence. They are united by a high-intensity, fast-paced structure that makes the moral collapse feel both gripping and inevitable, resulting in a profoundly heavy emotional experience.
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