Modern Problems

In the humming arteries of New York’s busiest airport, an over‑worked air traffic controller wrestles with the relentless pressure of keeping the sky orderly. Max finds his professional life spiraling, and his personal world is no less chaotic after his relationship with Darcy ends in frustration and doubt. The film sets its tone in a world where the ordinary grind of a high‑stakes job collides with the absurd, letting comedy and anxiety mingle in a bright‑eyed, slightly off‑kilter atmosphere.

A freak accident—one of those impossible moments that feel both comic and uncanny—leaves Max with an unexpected gift: the ability to move objects with his mind. This newfound power becomes both a crutch and a catalyst, offering a whimsical way for him to try to repair the cracks in his love life. As he experiments with his telekinesis, the story balances lighthearted mischief with the deeper yearning to prove himself worthy of Darcy’s affection.

When an invitation arrives for a weekend retreat at a friend’s seaside house, the stakes subtly shift. The gathering brings together a handful of eccentric personalities—including Brian, a longtime confidant now navigating life from a wheelchair, and the sharply‑tongued self‑help guru Mark Winslow. Their interactions hint at underlying tensions, as the group’s playful banter gradually reveals competitive undercurrents and lingering insecurities.

Against the backdrop of sun‑soaked beaches and gathering storms, the movie teeters between breezy farce and an unsettling sense that power, however playful, can unlock darker impulses. Max’s journey becomes a study in how far someone will go to reclaim love and confidence, while the surrounding cast and setting keep the mood both buoyant and unpredictably tense, inviting audiences to wonder just how far the line between hilarity and hazard can be stretched.

Last Updated: August 10, 2025 at 14:11