Manorama Six Feet Under

The film opens in Lakhot, a desolate town in Rajasthan, introducing Satyaveer Singh Randhawa, a downtrodden public works engineer and aspiring writer. He reflects on his bleak life, his small bribery scandal at work, and the collapse of his once hopeful dream of fame. The setting establishes his fragile personal and professional world.

Satyaveer returns home to his irritable wife Nimmi and their young son, illustrating the strain on his marriage as he copes with remorse over the bribery scandal. He also laments that his novel Manorama failed and that he no longer stands on the cusp of fame. The sense of stagnation underscores the character's vulnerability.

A woman claiming to be the wife of Irrigation Minister ex-Maharaja Rathore hires him to photograph Rathore’s alleged affair. He agrees, hoping for money and a chance to prove himself. The assignment pulls him deeper into a dangerous political underworld.

Satyaveer hands over the developed film to the woman and confides in his brother-in-law Brij Mohan, a local cop, who warns him that something feels off. This marks the turning point from a routine assignment to a potential trap. The investigation begins to draw in his family and allies.

He digs deeper and learns that Manorama was connected with a local children's home and lived with a roommate named Sheetal. When he tries to investigate Manorama’s room, he bumps into Sheetal who remains uncooperative. The mystery grows as the trail widens beyond a simple affair.

Satyaveer is set upon by thugs who identify themselves as the same men who chased Manorama on the night of her death. After his two fingers are broken and his motorbike is stolen, he tells them what she had told him. This event confirms there is a violent cover-up surrounding Manorama.

Satyaveer discovers that Manorama's death was actually an accident: she was hit by a truck while fleeing her pursuers. He confronts the grim truth that someone orchestrated the chase to silence her. The revelation links the orphanage to the dark crimes.

Sheetal moves into Satyaveer's home while Nimmi has returned to Rohtak for Diwali. She gradually forms a tentative bond with him. The living arrangement deepens the web of relationships around Satyaveer.

At a rally function attended by Rathore, Satyaveer notices Rathore's dependence on regular medication and glimpses the woman who visited him earlier. This exposure widens the circle of suspects and motives. The event situates Rathore as a powerful but vulnerable figure.

He makes contact with the woman, who turns out to be Sameera Rathore, Rathore’s illegitimate daughter, living with doctor Anil Poddar. Sameera aims to force Rathore to accept her as his heir and to expose the truth about his corruption. The threads begin to converge as Satyaveer follows the budding conspiracy.

Satyaveer visits the doctor and discovers both Poddar and Sameera have been brutally murdered. He and Sheetal discuss what to do next, nearly kissing before his wife's phone call interrupts them. The murder intensifies the danger surrounding them.

Returning to the children's home, he learns that Sheetal has been dead for about eight to ten days and later finds the woman in his house is actually Neetu, Rathore’s concubine. Neetu reveals herself and urges him to hand over the photos to Rathore. The deception deepens the conspiracy.

Satyaveer confronts Rathore, exposing him as a pedophile exploiting children from the orphanage, with Manorama and the real Sheetal connected to the crimes. Rathore’s plan to control his fate unravels as the truth spills out. The revelation paints a portrait of power and abuse at the heart of the town.

Neetu tries to seduce him to secure the photos, but he resists and learns that Rathore had terminal lung cancer, with placebos used to prolong his life for the heir plot. The conflict reaches a boiling point as Rathore's secrets threaten everyone around him. The scheming is laid bare, forcing a final reckoning.

In the end, Satyaveer escapes in a pink taxi and reunites with his wife and son at the terminal, reflecting on whether there truly is a god listening. The final line underscores his resolve to tell the truth through his writing. The story closes on a bittersweet note of family and moral judgment.