Year: 1994
Runtime: 132 mins
Language: Malayalam
Director: Thulasidas
Siddique secures a visa for Dubai just as he receives an offer to teach at his father’s friend’s school in Malappuram. His father blocks the Dubai move, insisting he accept the teaching post. To keep his plans secret, Siddique persuades his job‑seeking friend Mukesh to pose as him for the school position, then slips off to Dubai. The deception triggers a series of comic misunderstandings and chaotic situations.
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Kunjalikutty, Siddique, a Muslim youth, lands a visa to Dubai and a teaching job offer at a school run by his father’s friend, Malappuram Hajiyar Madhu, in Malappuram. When his father refuses to let him go and insists he should take the teaching post, Kunjalikutty plants an idea: he will send his friend Joji Mukesh, a handsome and well-educated Hindu, in his place to the school, while he secretly heads to Dubai, leaving his parents in the dark.
Malappuram Hajiyar is a bold, devout man with immense public sway and little tolerance for deception; people approach him with awe and respect. His stern code of conduct makes Joji’s task of living as Kunjalikkutty’s impostor feel like a tightrope walk, forcing Joji to hide his true identity while navigating daily life at the school. A clash of personalities soon unfolds: Joji’s presence stirs a hilariously tense dynamic with Aliyar Jagathy Sreekumar, the physical education teacher who becomes Joji’s roommate, and whose laid-back approach contrasts sharply with Hajiyar’s strict expectations.
As Joji tries to maintain the ruse, the pressure mounts. He nearly blows his cover on several occasions, fueling Aliyar’s suspicions and making every day more precarious. The situation takes a sharp turn when Joji is confronted at the temple by Gouri Maathu, a member of a respected Hindu family, highlighting the delicate balance he must maintain between faith, community, and his deceit. The tension escalates when Kunjalikutty returns, revealing to Joji that he has become a victim of a visa scam allegedly orchestrated by Jafer Khan Rizabawa, who now seems intent on finishing what Kunjalikutty started.
Further trouble brews from a different corner: Premalatha Usha, one of Joji’s former pupils who is now married to the canteen owner living next to Joji, and her husband, Pattalam Sukumaran Prem Kumar, a hot-tempered and paranoid soldier on leave. Sukumaran’s fury deepens when Aliyar speaks ill of Joji’s character to him, igniting a dangerous chain of misunderstandings. Premalatha eventually spots Joji and is relieved to reconnect with her old tutor, but Joji explains he is living under the false identity of Kunjalikutty. The overheard exchange by Aliyar, who hides and waits to alert Hajiyar, promises a probe that could end Joji’s precarious arrangement.
Amid mounting threats from Jafer Khan’s goons and the risk that Aliyar will spill the beans about Joji’s true identity, the film follows how Joji and Kunjalikkutty strive to uncover the truth while safeguarding everyone involved. They must outmaneuver suspicion, family loyalties, and gendered and religious tensions, all while keeping Hajiyar’s trust intact. In the end, the story threads together how they navigate this perilous masquerade, confront the criminal scheming, and attempt to restore a sense of order in a community that rewards honesty but is easily unsettled by deception.
Last Updated: October 07, 2025 at 09:24
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