Lakota Woman: Siege at Wounded Knee

In the stark yet beautiful landscape of the Pine Ridge Reservation, a young Mary Crow Dog learns to navigate the contrast between ancient Lakota traditions and the harsh realities of modern life. The film breathes the rhythms of the land—wind over the plains, drums echoing at dusk—and embeds the viewer in a community where stories of the 1890 massacre linger as a quiet, unspoken weight. From the outset, the world feels both intimate and oppressive, its beauty shadowed by the systemic neglect that the residents endure daily.

Guided by her grandfather, Fool Bull, Mary receives the oral histories that keep her people’s identity alive, even as external forces push toward assimilation. A transfer to the rigid St. Tristan Boarding School puts her language and customs under siege, and the stark walls of the institution become a crucible for her emerging sense of self. Alongside her sister Barbra, she confronts a curriculum designed to erase her heritage, planting the first seeds of defiance that will later drive her onward.

After her sister’s departure, Mary’s path is steered by a mix of personal loss and unexpected allies. A determined aunt, Aunt Elsie Flood, and a brief encounter with a stranger named Webster offer fleeting moments of solidarity, while the wider world whispers of injustice through underground pamphlets and the voices of other activists. These interactions pull her toward the American Indian Movement, where she meets figures like Carter Camp who embody a fierce, collective yearning for sovereignty.

The narrative builds toward a pivotal moment in the early 1970s, when the growing resistance coalesces around a historic site—Wounded Knee. The film’s tone balances quiet contemplation with an undercurrent of rising tension, suggesting that Mary’s personal journey is on the cusp of merging with a larger, daring stand against decades of oppression, all while preserving the resilience and hope that have defined her community for generations.

Last Updated: November 25, 2025 at 15:16