Juan of the Dead

In a sweltering Havana beset by a sudden, inexplicable surge of the undead, the city’s official voice blames distant forces while ordinary streets pulse with a frantic mix of panic and dark humor. The atmosphere is a vivid collage of crumbling colonial facades, improvised barricades, and a radio that forever repeats the same propaganda, creating a world where survival feels both absurd and immediate. The tone threads together sharp satire, gritty realism, and a lingering hint of Caribbean carnival, making the crisis feel less like a conventional horror outbreak and more like a surreal social experiment gone awry.

​​Juan, a lethargic man in his forties accustomed to a life of ease, stumbles upon a starkly practical solution: the undead can be halted by a clean strike to the brain. Rather than simply becoming another survivor, he turns this grim efficiency into a modest enterprise, branding his service with a blunt, oddly comedic slogan that underscores the film’s irreverent edge. His partnership with his equally off‑beat sidekick ​​Lazaro adds a layer of reluctant camaraderie, as the two navigate a city where every alley could hide a threat—or an opportunistic client.

The film also weaves in a quirky ensemble: ​​Camila, Juan’s determined daughter whose presence hints at generational tension; ​​Vladi California, a brash nephew with a flair for daring; ​​La China, a flamboyant drag queen whose charisma brightens the bleak streets; and ​​Primo, a steadfast lover caught in the chaos. Their interactions blend sardonic banter with moments of unexpected solidarity, reflecting a community forced to renegotiate its values amid collapse. Together, they paint a portrait of Havana that is as much about the human spirit’s resilience and absurdity as it is about the looming threat, setting the stage for a story that balances macabre threat with wry, off‑beat comedy.

Last Updated: September 26, 2025 at 04:39