Year: 2011
Runtime: 96 mins
Language: Spanish
Director: Alejandro Brugués
In Havana a zombie epidemic erupts, while official media claim the chaos is caused by U.S.-funded dissidents. As panic spreads, Juan discovers he can stop the undead by destroying their brains. He decides to turn this skill into a small business, advertising the slogan “We kill your loved ones” to eliminate the infected.
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Juan, Alexis Díaz de Villegas, a lazy man in his forties, leads a carefree life in Cuba with his accident‑prone sidekick Lázaro, Jorge Molina. While out fishing, the pair reels in what looks like a corpse. The figure stirs and attacks them, but Lazaro fends it off with a spear gun and the two dismiss it as a freak accident. Their circle of questionable friends includes Vladi California, Andros Perugorría, the drag queen La China, Jazz Vilá, and La China’s lover Primo, Eliecer Ramírez. The tension between luck and crime threads through their days, hinting at a world where danger hides behind every corner and morality gets tested by circumstance.
As unexplained violence erupts across the city—people turning on each other with alarming randomness—Juan suspects supernatural forces at work, not political dissidents. The chaos brings them face to face with reanimated bodies, and Juan finds himself skirting a line between opportunism and responsibility. In response, he launches a crude business called Juan of the Dead, offering to kill and dispose of the zombified residents for a fee. The scheme proves riskier than expected: indoor missions claim heavy casualties and expose the crew’s corruption, complicating Juan’s relationship with his daughter Camila, Andrea Duro. The harsh truth of their world begins to gnaw at the bonds that once held them together, even as survival remains the main drive.
A shady military unit soon captures Juan’s group and packs them into a truck, ostensibly to recruit able‑bodied men for the fight against the undead. Chaos erupts as infected bodies reanimate, turning the escape into a violent scramble. La China is bitten and dies, only to return as a zombie while still handcuffed to Juan, escalating the peril around every decision. Camila and Vladi, already navigating a fragile trust within the family, rush to free Juan, battling through the collapsing pieces of their former life and clinging to a sliver of hope. The crisis tightens the group’s focus on containment and escape, testing loyalties and reshaping who they trust in a world gone dangerously wrong.
With the number of zombies growing, the survivors take to rooftops to watch, wait, and plot their next move. Vladi—Lázaro’s son—emerges as a key figure, running solo food missions to keep the group fed, while Camila’s bond with Vladi deepens, adding a new layer of tenderness to their brutal struggle. The harsh reality of their situation drives them toward a drastic plan: they’ll push farther inland, toward the mountains, seeking any possible refuge from the endless tide of the undead. The journey is brutal, as a failed car escape forces them to flee on foot, and a halt in a bunker turns into a deadly trap when Primo is killed and the shelter proves temporary at best.
Seeking shelter in a parking garage, the survivors encounter a middle‑aged man with a harpoon gun mounted on his truck. He hints at a religious solution to the horror, but the moment collapses when Lazaro accidentally kills him, underscoring how far from salvation they remain. With dwindling options, Lazaro comes up with a risky plan: convert oil drums into flotation devices and attach them to a convertible, aiming to break through the zombie horde and float to Florida in hopes of safety. The revelation that Lazaro was bitten earlier adds another layer of tension, though the bite proves to be only a minor scratch.
In the final push, Juan fights to clear a path, rescuing a crying child along the way. The makeshift flotilla—the car stacked with drums—rises on the waves as a ramp of bodies propels it over a wall and into the sea. Just as they near the horizon of freedom, Juan steps away from the car and returns to shore, choosing to stay in his homeland and continue surviving with his new allies. An animated cartoon during the end credits shows Juan still fighting the horde, and it’s revealed that Camila, Lazaro, and Vladi have joined him in the ongoing battle against the undead. The story closes with a stubborn, stubborn optimism: even in a world overrun by the living dead, loyalty, a willingness to adapt, and a stubborn will to endure can keep a small group fighting for a future.
Last Updated: October 03, 2025 at 06:47
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Where characters turn societal collapse into a darkly humorous business opportunity.If you liked the entrepreneurial spirit of Juan and his crew, you'll enjoy these movies where characters turn disaster into a business. This thread gathers films with similar themes of survival opportunism, dark comedy, and finding humor in the midst of societal breakdown.
The narrative follows a group of scrappy underdogs who, confronted with a catastrophic event, use their street smarts and cynicism to create a service or business catering to the new, desperate world. Their journey is less about pure heroism and more about pragmatic survival, often leading to moral dilemmas played for laughs rather than heavy drama.
These films are grouped by their unique tone: a high-intensity, fast-paced setting paired with a light, satirical look at human nature. They share a focus on characters who are survivors first and heroes second, using humor to navigate a grim reality.
Zombie outbreaks that serve as a bloody metaphor for real-world political absurdity.Fans of Juan of the Dead's clever blend of zombie carnage and Cuban political satire will find more to love here. This collection highlights films that use a horror premise to deliver amusing and witty social commentary, often with a defiant, grimy aesthetic.
The story unfolds in a world where the official narrative about a disaster is blatantly wrong or manipulative. The protagonists must navigate not only the physical threat of monsters but also the ideological battle against a failing or corrupt system. The horror elements are underpinned by a consistent thread of political irony and defiance.
These movies share a specific mix of high-intensity survival horror and light-hearted, satirical tone. They are united by the use of a genre framework (like a zombie apocalypse) to explore themes of propaganda, societal collapse, and resilience with a darkly comedic edge.
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