Here Comes the Devil

In the stark, sun‑baked outskirts of Tijuana, a seemingly ordinary family getaway turns into a silent dread that clings to the jagged walls of an ancient cave system. The landscape itself feels alive, a place where whispers of old legends drift on the wind and the night’s darkness seems to press in tighter than the day’s heat. From the first moment the camera follows the family’s trek, the tone is one of uneasy curiosity, a blend of domestic routine and the unsettling unknown that lurks just beyond the path.

The heart of the story centers on the parents, Felix and Sol, whose love for their children is as fierce as their longing for a peaceful escape. Their son Adolfo and daughter Sara are the bright, inquisitive twins whose laughter once filled the cramped car rides and modest home. When the siblings wander into the cavern’s depths and vanish, the family’s world shatters, replaced by frantic searching and an oppressive silence that feels almost palpable.

When the children finally return, something has shifted. Their eyes carry a weight that didn’t belong there before, and subtle changes in their behavior stir a growing unease in Sol, whose instincts begin to question the reality around them. The community surrounding the family whispers of old curses and unseen forces, painting a backdrop where folklore and everyday life bleed together. Felix remains stubbornly rational, clinging to normalcy, while Sol feels compelled to peel back the layers of denial that blanket the household.

As the days unfold, the household becomes a crucible of tension, where ordinary family dynamics collide with an inexplicable presence that seems to seep from the very walls of the cave. The film balances a brooding, almost tactile atmosphere with the fragile bonds of a family on the brink, inviting viewers to wonder what lies beneath the surface of the seemingly quiet town and whether some doors, once opened, can ever truly be closed again.

Last Updated: August 10, 2025 at 05:59