Hangover Square

In the sweltering summer of 1903, Edwardian London feels both glittering and claustrophobic, its fog‑laden streets humming with ambition and hidden anxieties. At the heart of this world sits a modest flat on Hangover Square, where a talented yet troubled composer awakens to a baffling blank spot in his memory and an ominous artifact in his pocket. The city’s layered elegance—lavish concert halls, smoky taverns, and tightly pressed social circles—mirrors his own internal discord, setting a tone that is as much about atmospheric dread as it is about the seductive pull of artistic creation.

George Harvey Bone is a man whose brilliance is shadowed by a sudden, disorienting lapse that leaves him questioning the very foundations of his identity. Seeking counsel, he turns to Dr. Allan Middleton, a physician whose pragmatic advice nudges the composer toward a concert that promises both distraction and revelation. There, the magnetic presence of an aspiring singer catches his eye; Netta Longdon exudes ambition and a fierce desire to climb the musical ladder, offering a tantalizing partnership that threatens to eclipse his existing relationship with Barbara Chapman, his steadfast girlfriend. Barbara’s protective father, Sir Henry Chapman, adds an undercurrent of societal expectation that amplifies the composer’s sense of being pulled in competing directions.

As the notes of a new melody begin to take shape, the line between inspiration and obsession starts to blur for Bone. The allure of writing songs for the dazzling vocalist ignites a restless creative fire, while the lingering emptiness of his missing day and the subtle suggestion that his artistic “spells” might be slipping from his grasp fuel an uneasy tension. The film settles into a moody, gothic rhythm, inviting the audience to feel the quiet panic of a mind teetering on the edge of brilliance and breakdown, all against the richly textured backdrop of a London that never truly sleeps.

Last Updated: December 05, 2025 at 09:55