Gulabo Sitabo

In the bustling heart of modern‑day Lucknow, a once‑grand haveli stands weathered by time, its faded grandeur home to a kaleidoscope of tenants and the eccentric spirit of the city itself. The crumbling corridors and peeling plaster of this aging mansion become a stage where everyday absurdities are magnified, offering a wry, comedic lens on social dynamics and the stubborn grip of tradition.

Mirza Chunnan Nawab is the mansion’s self‑styled guardian, an elderly bachelor‑son‑in‑law whose thriftiness borders on legend. He moves through the house with a mixture of dignity and irritability, treating the decaying estate as both a prized inheritance and a personal battleground. His relationship with the property is as much about preserving his own sense of worth as it is about clinging to a fading way of life, and his interactions are laced with sharp humor and an unmistakable dose of vanity.

Bankey Rastogi arrives as a tenant navigating the practical demands of survival within those same walls. Sharing the cramped space with his mother and sisters, he runs a modest wheat mill and constantly feels the weight of mounting rent and the mansion’s dilapidated condition. His resourceful, sometimes exasperated demeanor provides a foil to Mirza’s obstinate pride, and their exchanges crackle with a blend of irritation, wit, and reluctant respect.

Against the backdrop of Lucknow’s noisy streets and the hushed whispers of a building on the brink of change, the two men find themselves locked in a peculiar dance of contention and camaraderie. Their rivalry, flavored by comedic sarcasm and social commentary, hints at larger questions about ownership, legacy, and the human yearning to hold onto a place that feels both shelter and identity. The film invites the audience to linger in this quirky world, curious about how these contradictory forces will shape the life of the old mansion.

Last Updated: October 11, 2025 at 19:38