Everything, Everything

In a pristine, hermetically sealed New York apartment, Maddy has spent her entire life behind glass walls, her world reduced to the hum of medical equipment and the glow of a screen. Diagnosed with a severe immune disorder, she follows a meticulously controlled routine overseen by her devoted mother, Pauline, and a small circle of caretakers who keep the outside at bay. The apartment itself feels both a sanctuary and a gilded cage, its sterile brightness contrasting with the yearning that flickers beneath Maddy’s composed exterior.

Across the street, a new family moves in, and the teenage son, Olly, becomes the first face that truly captures Maddy’s imagination. Their initial connection is tentative, exchanged through windows and later through the quiet intimacy of texts and video calls. Their conversations are infused with a mixture of curiosity and cautious optimism, each message a small rebellion against the isolation that has defined Maddy’s existence. The tone of their budding relationship is tender and wistful, hinting at possibilities that extend far beyond the apartment’s reinforced doors.

The film balances the clinical precision of Maddy’s daily regimen with the soft, almost cinematic glow of a world she has only ever observed from afar. As Maddy’s longing for genuine human contact deepens, the story gently explores themes of freedom, trust, and the delicate dance between protection and independence. The presence of Carla, the long‑standing caretaker, and Rosa, another supportive figure, adds layers of compassion and subtle tension, underscoring the delicate balance between safeguarding health and nurturing a soul eager to breathe.

Against this backdrop of quiet desperation and hopeful intrigue, the audience is invited to wonder how far two young hearts will go to bridge the gap between a life lived in safety and a life yearning for adventure, all while navigating the fragile boundaries of trust and love.

Last Updated: August 10, 2025 at 03:18