Dreamchild

In the crisp halls of Columbia University, an eighty‑year‑old widow steps into the spotlight of a ceremony honoring a literary legend. Alice Hargreaves arrives with the quiet dignity of someone who once walked hand‑in‑hand with the man who would become Lewis Carroll, a friendship that sparked the fantasies that still echo through libraries and children’s imaginations. The film opens on her journey from a solitary voyage home to the bustling reception, inviting the audience to see the world through the eyes of a woman whose own story has been intertwined with myth for a lifetime.

Accompanying her is a devoted caretaker, Lucy, whose steady presence offers both practical support and a gentle counterbalance to the media frenzy that greets Alice. Among the throng of inquisitive reporters, a former journalist named Jack Dolan emerges as an unexpected ally, his seasoned charm and pragmatic outlook providing a bridge between Alice’s storied past and the present day. Their interactions hint at a quiet, budding connection that blooms amid the glare of cameras, suggesting that new affections can surface even as old memories linger, and that compassion can be found in the most unlikely of partnerships.

The tone remains wistful and lyrical, suffused with a dream‑like quality that blurs the line between reality and the fantastical realm that Carroll once conjured. As Alice reflects on the lingering emotional imprint of her childhood bond, the film teases the presence of familiar, almost spectral figures from those beloved tales, serving as metaphors for her inner dialogue. The result is a portrait of aging, imagination, and the delicate dance between reverence for a shared past and the quest to reclaim one’s own voice, all rendered in a gentle, contemplative style that invites curiosity without revealing the story’s deeper turns.

Last Updated: December 04, 2025 at 15:54