Do You Like Hitchcock?

In a cramped, rain‑slick district of contemporary Italy, a shy film student named Giulio spends his days buried in classics, using the stark visual language of Fritz Lang to shape his thesis. His life is a quiet routine of lectures, bicycle rides, and late‑night viewings, punctuated by a restless desire to watch rather than be seen. The city’s narrow alleys and the humming fluorescence of a neighborhood video store become his private cinema, a place where every reflected surface hints at untold stories.

One evening, Giulio’s solitary world collides with two enigmatic women—Sasha and Federica—who share a fleeting, conspiratorial smile as they both reach for the same Hitchcock title. Their effortless charm and secretive banter ignite a spark of fascination in Giulio, who begins to read their gestures as a cryptic script. Drawn into their orbit, he starts to suspect that beneath their polished veneers lies a dark, possibly murderous plot, a notion that blurs the line between his academic obsession with cinematic suspense and the unsettling reality unfolding around him.

The film settles into a cerebral, tension‑laden mood where ordinary encounters feel like tightly framed shots, and every ordinary glance could be a clue. Giulio’s voyeuristic curiosity pushes him deeper into a maze of perception, where the boundaries between observation and participation dissolve. As he navigates the delicate dance of intrigue, the atmosphere remains steeped in ambiguity, inviting the audience to question what is being watched and what is merely imagined, all while the city’s muted backdrop hums with the promise of hidden danger.

Last Updated: October 14, 2025 at 03:53