Defamation

In a world where old prejudices collide with new politics, Yoav Shamir steps behind the camera to ask the uncomfortable question: what does anti‑Semitism look like today? The documentary opens on a tone that blends sharp wit with solemn inquiry, inviting viewers into a conversation that feels both intimate and expansive. Shamir’s curiosity is the film’s compass, guiding us through the tangled intersections of hate speech, identity politics, and the ways history is wielded in contemporary debates.

The landscape he navigates is populated by familiar institutions and influential voices. Early in his quest, Shamir gains rare access to the headquarters of a powerful advocacy organization, meeting its charismatic leader, Abe Foxman. Their exchanges are laced with irony, exposing how advocacy can become both shield and beacon. The film also brings in two prominent scholars—John Mearsheimer and Stephen Walt—who challenge prevailing narratives about foreign policy and lobbying, adding a layer of academic rigor to the personal journey.

Stylistically, the piece leans on satirical humor to puncture solemnity, using dead‑pan interviews and candid moments that keep the audience alert and engaged. The visual palette shifts between bustling city streets, quiet interior offices, and evocative historical sites, each frame underscoring the persistent relevance of the topic. The mood oscillates between thoughtful reflection and a restless, almost conspiratorial curiosity, as Shamir’s lens captures both the overt and the subtle ways prejudice manifests.

At its core, the film is a portrait of a filmmaker wrestling with his own assumptions while probing the mechanisms that shape public perception. By juxtaposing personal encounters with broader societal patterns, Shamir creates a space where viewers are encouraged to reconsider what they think they know about anti‑Semitism, leaving them with more questions than answers and a lingering sense that the story is far from settled.

Last Updated: August 10, 2025 at 08:43