Certified Copy

British author James Miller arrives in the scenic landscapes of Tuscany for his scheduled engagement. He is set to give a talk about his new book, *Certified Copy*, which challenges the notions of authenticity in art.

During the book signing event, Miller meets a French antiques dealer and her son. Although she hopes to get several copies of his book signed, her son’s restlessness prompts her to leave, but not without leaving her phone number with Miller's interpreter.

The interaction between the antiques dealer and her son reveals tension in their relationship. The son playfully suggests that his mother might be interested in Miller, a notion she promptly dismisses.

Miller and the woman meet again at her antique shop, where she hopes to show him her unique collection. Though she is eager, Miller suggests they take a drive instead, promising to return for his 9 p.m. train.

As they drive, Miller signs copies of his book for her, leading to a spirited discussion about authenticity in art. Their dialogue becomes heated as he provocatively asserts that even revered artworks like the *Mona Lisa* can be seen as mere copies.

The woman introduces Miller to an art museum, showcasing another celebrated 'copy'. However, Miller shows little interest and asserts that his work is complete, revealing a sense of disillusionment.

They stop at a café for a quick coffee, where a misunderstanding by the café owner leads her to play along as Miller's wife. This lighthearted moment transforms their conversation, leading to a greater connection.

The woman opens up about her disappointment regarding their 15th wedding anniversary, expressing feelings of neglect due to her husband's frequent business trips. This candidness compounds the emotional distance perceived in her relationship.

While walking, they encounter an older couple discussing a statue, leading to unsolicited advice on rekindling affection in marriage. This encounter resonates with the couple, deepening their reflections on relationships.

At dinner, tensions flare as Miller argues with the waiter over their wine, highlighting his growing frustration. He storms out but waits outside for the woman, suggesting an ongoing, unresolved tension between them.

The woman chooses to enter a church alone, claiming it’s simply to remove her bra, which piques Miller's curiosity. This leads them to follow two elderly churchgoers to a hotel nearby, where memories for Miller lie dormant.

Inside the hotel, the woman invites Miller to see the room where he honeymooned with his wife. They exchange memories related to their past, though Miller struggles to remember the finer details of that night.

The woman urges Miller to acknowledge their individual flaws, warning that loneliness is the consequence of not embracing acceptance. Despite her heartfelt plea, he remains focused on catching his train.

As their time together comes to a close, Miller enters the bathroom, staring at his reflection. The tolling church bells at 8 p.m. symbolize the fleeting nature of their encounter, marking the end of their journey.