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An Almost Perfect Affair (1979) movie poster

Plot Summary

An Almost Perfect Affair (1979) Plot Summary Explained

Release, runtime and language
1979 · 91 mins · English
Starring
Monica Vitti, Keith Carradine, Sergio Leone, Michael Ritchie, Raf Vallone, George Peppard

An idealistic debut director, driven solely by his art, encounters the wife of an Italian producer during the Cannes Film Festival. Their intense affair ignites, but as they chase fame and fortune, the couple’s romance is strained by jealousy, ambition and the seductive lure of success.

On this page (6)
  1. 1 Where to watch
  2. 2 What happens: full plot
  3. 3 Plot questions answered
  4. 4 Movie threads
  5. 5 Movies like An Almost Perfect Affair
  6. 6 Every angle

Where to watch

Where to Watch An Almost Perfect Affair (1979)

Where can you watch An Almost Perfect Affair? Stream, rent or buy it in the US, including on Amazon Video, Apple TV Store and Fandango At Home: current JustWatch availability with up-to-date prices.

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Full plot summary · contains spoilers

What Happens in An Almost Perfect Affair: Full Plot Summary

The whole story of An Almost Perfect Affair (1979) explained, from the opening scene to the final frame: every key event, every twist and what it all adds up to. Read it as a quick recap before the sequel, to check a scene you missed, or to finally understand what really happened.

Hal Raymond, a young tyro filmmaker fresh from graduate school, arrives in France to attend the Cannes Film Festival, where he hopes to sell a movie he has made about the life and times of famed murderer Gary Gilmore. Unbeknownst to him, he has failed to observe the proper bureaucratic procedures when bringing his film reels into the country, which forces customs officials at Nice Airport to seize them until further notice. In another queue at the airport is Maria Barone, a glamorous former actress and the wife of leading Italian film producer Freddie Barone. Maria's dog Mortimer is also retained at customs, after she is found to have concealed the animal in her hand luggage.

The following day, Hal returns to the airport to attend an interview at the customs agency with Lt. Montand, who tells him that the reels will not be released until the film censor has viewed them, which may not happen for another month. Leaving the office in a fury, Hal bumps into Maria, who has just been reunited with her dog. Informing her of his plight, she encourages him to persevere. The following day, Hal again encounters Maria in the lobby of the Hotel Carlton and invites her to lunch. Charmed by the young man's attention, Maria reckons that she can persuade her husband to contact the customs authorities and intervene on Hal's behalf. She then takes Hal to meet Freddie, who graciously agrees to phone the airport immediately.

In gratitude, Hal invites them both to a party in Nice being hosted by his friend, Andrew Jackson – a sardonic director-producer, in town to publicize his own blaxploitation film. Although a visibly flustered Maria declines the invitation, when the party is in full swing later that evening she suddenly turns up unannounced. Hal and Maria dance and talk, later going back to Hal's room at the local Novotel to make love. Lying in bed afterwards, Maria admits that this is the first time she has cheated on her spouse. Unimpressed by Hal's spartan accommodation, back in Cannes the next day she arranges to meet him at the Palm Beach casino, where she wins big at craps – enough money for her to book Hal into a fancy boutique hotel further along the coast. As they are entering the hotel Hal spies Montand sitting at a nearby restaurant, who delivers the good news that the censor will now view his film.

Hal and Maria then enjoy a blissful day out in the country, at the end of which he complains about not being able to spend an entire night with her. Although distressed at having to deceive her husband, Maria asks Freddie if she can spend two days away in Paris prior to his film's gala premiere – a request to which the latter agrees without complaint. Hal, meanwhile, having already found that Jackson has muscled in on his film and taken control of its publicity campaign – including changing the title from the bland Choice of Ending to the more lurid Shoot Me Before I Kill Again – now has to endure the censor's screening before he and Maria can meet for their planned few days together. After nervously introducing it to a seemingly nonplussed audience, Hal finds his film has inspired positive reactions – Jackson pronounces it "sensational", while Montand agrees that the film can finally be brought into the country. But Maria, who is also in attendance, is much less enthusiastic about what she has seen, and upon being forced to reveal her true feelings afterwards she and Hal have a row, causing him to abandon her and hitchhike alone back to Cannes.

Hal is overcome with remorse by the next morning and returns to the Carlton, where he is able to follow Maria's limousine as it heads to the Barone family yacht for an outing prior to Freddie's evening gala premiere. Pursuing her onto a speedboat, Hal manages to separate Maria from her companions and drives the boat out into the middle of the bay, where it runs out of fuel. In an effort to prove his love, he throws his precious film reels into the water. Maria is unimpressed, however, pointing out that he still has the original 16mm negative, so the gesture means nothing. Only after Hal begrudgingly proclaims out loud that he loves her more than his film are the two reconciled. Eventually whisked away to attend the gala premiere by her security detail, Maria leaves Hal to make his own way back to the shore. Realizing that Maria is set to leave the festival for good after the premiere is over, once on land Hal persuades Jackson to drive him to the airport. There he stops Maria and Freddie before they board their private jet. Maria explains that, although she loves him, she needs someone who considers her "more important than anything". After the jet has taken off into the night sky, Jackson improves Hal's mood by informing him that his film has been included in a package deal, and hands him a contract to sign.

Last updated: October 09, 2025 at 14:04

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Plot questions answered

An Almost Perfect Affair Plot Explained: Your Questions Answered

The questions people ask most about An Almost Perfect Affair (1979): what happens in the confusing scenes, why the characters do what they do, the twists, hidden details and what the ending means. Each answer contains spoilers.

Q1

Why does Maria Barone help Hal with his customs problem?

Maria helps Hal because she is charmed by his attention and sees an opportunity to feel desired again. As a former actress married to a powerful producer, she has been missing genuine romantic excitement. When Hal invites her to lunch and confides his plight, she believes she can persuade her husband Freddie to intervene, using her influence to both help him and fulfill her own emotional needs.

  • maria barone
  • freddie barone
  • customs help
  • affair motivation
Q2

Why does Maria's opinion of Hal's film change after the censor screening?

Maria becomes less enthusiastic about Hal's film after the screening because seeing it in a formal setting forces her to confront an uncomfortable truth: Hal's art represents a world that competes with her for his attention. While others celebrate the film, Maria realizes that success will only make Hal more absorbed in his work, further distancing him from her. Her criticism stems from jealousy, not genuine artistic disagreement.

  • maria criticism
  • film screening
  • affair conflict
  • jealousy
Q3

Why does Hal throw his film reels into the water during the speedboat scene?

Hal throws his reels into the water to prove his love for Maria, believing the sacrifice will demonstrate that she matters more than his work. He sees the film as the thing standing between them and hopes that destroying it will show his commitment. However, as Maria points out, the gesture is hollow since he still possesses the original 16mm negative.

  • film reels
  • speedboat
  • love sacrifice
  • negative
Q4

Why does Maria point out that Hal still has the original negative after he throws the reels?

Maria points out the negative to expose the emptiness of Hal's grand gesture. She understands that Hal's film represents his identity and dreams, and she knows he would never truly abandon it. By highlighting that he still has the original negative, she challenges whether his sacrifice is genuine or merely theatrical. This moment reveals her skepticism about whether Hal can truly prioritize her over his art.

  • 16mm negative
  • hollow gesture
  • priorities
  • commitment test
Q5

Why does Maria leave Hal at the end despite their reconciliation on the speedboat?

Maria leaves because she realizes Hal cannot give her what she needs, someone who considers her more important than anything else. During their confrontation at the airport, she explains that she needs a man who places her above all else, including career and art. Even though Hal proclaimed his love, she has seen that his filmmaking ambitions will always come first. She chooses to return to her husband rather than wait for Hal to change.

  • airport scene
  • love vs career
  • priorities
  • freddie barone
Q6

How does Hal's film finally get released from customs?

Hal's film gets released after Freddie Barone contacts the customs authorities. When Maria introduces Hal to her husband and explains the situation, Freddie graciously agrees to phone the airport on Hal's behalf. Later, Lt. Montand informs Hal that the censor will now view the film, clearing the way for its release into the country.

  • freddie phone call
  • lt montand
  • censor approval
  • film release
Q7

Why is Hal's film title changed to "Shoot Me Before I Kill Again"?

Andrew Jackson changes the title from the bland "Choice of Ending" to the more lurid "Shoot Me Before I Kill Again" as part of his publicity strategy. Jackson, a sardonic director-producer, understands that provocative titles attract attention at festivals. The change reflects Hollywood's tendency to market films through sensationalism rather than artistic substance, a theme the movie critiques.

  • title change
  • andrew jackson
  • publicity
  • hype
Q8

Why does Maria ask Freddie for permission to go to Paris?

Maria asks Freddie for two days in Paris before the gala premiere so she can spend time with Hal away from the festival's prying eyes. Though distressed at having to deceive her husband, she uses the request as a test, if Freddie trusts her enough to allow the trip, perhaps their marriage can survive her infidelity. Freddie agrees without complaint, unaware of her true intentions.

  • paris trip
  • deception
  • freddie trust
  • affair secrecy
Q9

Why does Hal chase after Maria on the speedboat?

Hal chases Maria because he is overcome with remorse after their quarrel following the film screening. When he sees her limousine heading to the Barone family yacht, he follows her onto the speedboat hoping to apologize and reconcile. His desperate pursuit shows how much their relationship has come to mean to him, even as his actions remain tangled with his artistic ambitions.

  • yacht chase
  • speedboat
  • remorse
  • reconciliation attempt
Q10

What happens to Hal's film after the festival ends?

After the festival ends, Jackson informs Hal that his film has been included in a package deal, handing him a contract to sign. This means Hal's work will be distributed alongside other films, giving it commercial exposure. The ending offers Hal professional success even as he loses Maria, embodying the bittersweet nature of his choices throughout the story.

  • package deal
  • jackson
  • film distribution
  • contract

Movie threads

More Movies Like An Almost Perfect Affair, by Mood & Story

Curated lists built around what makes An Almost Perfect Affair tick: the same mood, the same kind of story or the same emotional payoff. Each list explains why these movies belong together.

Movies about glamorous tragic romance like An Almost Perfect Affair

Passionate affairs in luxurious settings that end in romantic disillusionment. Find movies like An Almost Perfect Affair that explore passionate, high-stakes affairs in glamorous worlds. If you enjoyed the mix of romantic passion, jealousy, and the high costs of ambition against a luxurious Cannes backdrop, these films offer a similar bittersweet experience.

  • romantic
  • glamorous
  • passionate
  • anxious
  • regretful
  • melancholic
  • Tone: bittersweet, passionate, regretful
  • Pacing: steady, character-driven
Why these movies?

The story pattern: These stories typically follow a whirlwind romance that begins with intense attraction and a glamorous, often escapist, setting. The central conflict arises from the clash between personal desire and professional ambition, societal expectations, or simple incompatibility. The narrative arc charts the rise and inevitable fall of the relationship, culminating in a poignant ending where love is lost but a lesson is learned.

Why they belong together: They are grouped by their shared focus on a specific type of romance—one that is both aspirational and tragic. The mood is a consistent blend of passion, anxiety, and regret, all set within a visually appealing, high-society world. The tone is consistently bittersweet, exploring the fine line between romantic fantasy and painful reality.

Movies about the conflict between art and love like An Almost Perfect Affair

Stories about creators torn between their artistic ambition and a consuming romance. Discover films similar to An Almost Perfect Affair where the central drama is the tension between artistic ambition and romantic love. If you liked seeing a filmmaker's passion for his craft clash with his desire for a fulfilling relationship, these movies explore that same poignant struggle.

  • artistic
  • frustrated
  • passionate
  • introspective
  • regretful
  • ambitious
  • Tone: bittersweet, frustrated, contemplative
  • Pacing: steady, deliberate
Why these movies?

The story pattern: The narrative pattern follows a dedicated artist who falls in love. The relationship thrives until the demands of their creative ambition—the pursuit of fame, the need for solitude, or sheer obsession—create an irreconcilable rift. The story is a character study of this internal conflict, often concluding with a sacrifice where one passion must be chosen over the other.

Why they belong together: These films share a core thematic focus on the cost of creation. They examine whether true art requires personal sacrifice and how love can be both a muse and a distraction. The emotional journey is defined by frustration, difficult choices, and the specific melancholy of gaining professional success at the expense of personal happiness.

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Every angle

An Almost Perfect Affair (1979) Explained: Plot, Timeline & Characters

Everything about An Almost Perfect Affair in one place: what happens in the plot summary, the timeline in chronological order, the characters and meaning and a spoiler-free summary. What's After the Movie adds the cast, box office and post-credit scenes.

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