Cannes Man

Frank 'Rhino' Rhinoslavsky is a dumb part-time cab driver in New York City who dreams of breaking into film. He believes he has nothing to offer and fantasizes about starting at the top as a writer. His ordinary NYC routine sets the stage for a bigger opportunity to come.

Frank travels to the Cannes Film Festival in France to deliver props to Troma, Inc., hoping to catch a break. The glamorous backdrop of Cannes exposes him to a world where deals can be made with little more than the right image. This is the moment his path toward notoriety begins.

Sy Lerner, a down-on-his-luck industry figure, bets he can take any ordinary person off the street and turn them into a major success. He identifies Frank as his target and lays out the plan to manufacture fame. The bet sets the premise for a mockery of Hollywood ambition.

Lerner adopts Frank as his project and begins shaping him for stardom. He teaches him how to dress, how to behave, and how to respond to interviews, planting the seeds of manufactured appeal. The transformation is as much about perception as any real talent.

Lerner engineers a talking-point by naming Frank the writer of a brand-new movie that doesn't actually exist. Frank isn't truly a writer, but the illusion gains traction anyway. Industry players are willing to pretend the project is real, driven by Frank's new image.

Despite the absence of a real script, directors, producers, and actors begin courting Frank under his new persona. The fake project becomes a hot commodity as people want a piece of the action. The film satirizes how perception can trump substance in show business.

Interviews and press opportunities flood in as Frank is marketed as the 'Cannes Man.' The festival environment rewards a confident image even when the work behind it is hollow. Frank's notoriety grows without any real writing behind him.

Prominent names, including Johnny Depp and Jim Jarmusch, appear interested in the buzz surrounding Frank. Their involvement lends credibility to the hoax and fuels further media attention. The line between talent and hype becomes increasingly blurred.

The festival atmosphere emphasizes deals, publicity, and networking over genuine storytelling. The narrative suggests that at Cannes, deals get made, producers get laid, and stars get paid, regardless of the actual film's merit. Frank and Lerner capitalize on this culture to sustain their facade.

As the hype continues, Frank becomes a magnet for attention while doing little actual work. The broader industry feeds the illusion, and more opportunities arise for 'Frank Rhino' without him earning them as a real writer. The mockumentary highlights the fragility of reputation built on clever presentation.

The entire success hinges on others performing and endorsing the charade, with Frank serving as the face of a project that lacks substance. Lerner's bet hinges on perception rather than talent, exposing the emptiness behind the 'writer' title. The dynamic showcases a satire of Hollywood's hunger for fresh narratives, even when none exist.

The mockumentary closes with a nod to the Cannes culture, emphasizing that deals are made in the same spaces where art is celebrated. The last line reiterates that the art of the deal can be more entertaining than the deal itself. The satire leaves the audience considering what truly constitutes success in cinema.