By Player (2000) Timeline Explained – Every Event in Order

Asako registers them as married to deliberately block Tonoyama's attempt to marry Kimie. When Tonoyama asks Kimie's father for permission to marry, the father demands he divorce his current wife Asako first. In retaliation, Asako uses the registry to create a legal marriage between Tonoyama and Kimie, trapping them in a bureaucratic arrangement that prevents the divorce and remarriage they were planning.

Foreshadowing: The opening coffee shop scene establishes the complicated romantic dynamics that make this registration possible.

• asako
• marriage registration
• kimie
• tonoyama
• divorce
• family drama

During The Naked Island filming, Tonoyama nearly suffered alcohol poisoning. His condition became so severe that he was only saved by the remote filming location, there was literally nowhere nearby to buy spirits. This incident highlights the severity of his addiction and how it directly impacted his ability to work, nearly derailing the production.

• alcohol poisoning
• naked island
• filming
• addiction
• shindo

Tonoyama confesses to Kimie that he contracted a venereal disease from a prostitute, which rendered him infertile. This revelation comes during an intimate moment in their home and reshapes their relationship dynamics. It explains why they cannot have biological children together and why Kimie later decides to adopt her brother's child Yasuo.

• infertility
• venereal disease
• prostitute
• kimie
• yasuo
• adoption

Kimie adopts Yasuo, who is her brother's child, after learning Tonoyama is infertile. The adoption provides them with a son and creates a formal family structure despite their inability to have biological children together. It reflects their attempt to build stability and kinship within their unconventional relationship.

• yasuo
• adoption
• kimie
• brother
• family
• son

The old woman in Kamakura is another romantic partner of Tonoyama who has adopted a daughter. Unlike his domestic arrangement with Kimie, this relationship represents a separate thread in his complex romantic life. The film presents this visit as part of his recurring pattern of maintaining multiple relationships outside his primary household.

• kamakura
• old woman
• adopted daughter
• relationship
• romance

Tonoyama pretends to leave for work to avoid neighbourhood gossip about his personal life. In reality, he drifts through days engaged in drinking and other private indulgences. The ruse allows him to maintain a facade of normalcy while living according to his own chaotic rhythms without community scrutiny.

• neighbourhood
• gossip
• pretense
• work
• community
• alcoholism

The film portrays Kaneto Shindo as a distant, lonely figure who carries out strange rituals on set. He is shown burning driftwood in the rain and attempting to dredge fish from a pond where no fish exist. These painterly, intimate scenes create a surreal layer that reflects both Shindo's eccentricities and the documentary's reflective tone.

• kaneto shindo
• director
• odd rituals
• filmmaking
• portrait

The documentary weaves together excerpts from Tonoyama's actual films with his personal life vignettes. This structure creates a dialogue between his artistic work and his private struggles, allowing viewers to see how his film roles and director Shindo's influence intersect with his real experiences with addiction, relationships, and family.

• film excerpts
• documentary structure
• shindo
• naked island
• ningen
• onibaba

During the filming of Ningen and Onibaba, Tonoyama repeatedly sneaks away to drink with actors Kei Satō and Kei Yamamoto. These secret drinking sessions reveal his ongoing struggle with alcoholism and his tendency to escape the pressures of filmmaking. The pattern shows how his addiction blurs professional boundaries and affects his work relationships.

• kei sato
• kei yamamoto
• drinking
• film set
• addiction
• ningen
• onibaba

The film connects Tonoyama's various relationships through a recurring cycle of drinking and sexual escapades. He maintains a domestic life with Kimie and adopted son Yasuo, visits the old woman in Kamakura, and continues his pattern of infidelity. The documentary presents these connections not as a linear story but as overlapping vignettes that paint a portrait of a man navigating multiple relationships while struggling with addiction.

• relationships
• kimie
• yasuo
• kamakura
• cycles
• pattern