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Between Heaven and Hell (1956) movie poster

Timeline

Between Heaven and Hell (1956) Timeline Explained – Every Event in Order

Release, runtime and language
1956 · 94 mins · English
Directed by
Richard Fleischer
Starring
Scatman Crothers, Broderick Crawford, Brad Dexter, L.Q. Jones, Terry Moore, Robert Wagner

Sam Gifford, an arrogant Southern cotton‑plantation heir married to a colonel’s daughter, becomes a sergeant in the National Guard when war begins. After striking a cowardly lieutenant, he is sent to a disciplinary battalion under the brutish Captain Waco Grimes. In combat he bonds with privates he once despised, learning and becoming a better man.

On this page (6)
  1. 1 Where to watch
  2. 2 Events in order (13)
  3. 3 Timeline questions answered
  4. 4 Movie threads
  5. 5 Movies like Between Heaven and Hell
  6. 6 Every angle

Where to watch

Where to Watch Between Heaven and Hell (1956)

Where can you watch Between Heaven and Hell? Stream, rent or buy it in the US, including on Amazon Video, Apple TV Store and Fandango At Home: current JustWatch availability with up-to-date prices.

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13 events in order · contains spoilers

Between Heaven and Hell Timeline: Events in Chronological Order

Every key event of Between Heaven and Hell (1956) in order, scene by scene, with when and where it takes place. Use it to untangle flashbacks, time jumps and parallel storylines, to refresh your memory before the sequel or to find the exact scene you are thinking of.

  1. Demotion and transfer to Waco's punishment company

    On a 1945 Pacific island, Sam Gifford is demoted to private after striking an officer and assigned to a punishment company led by Captain Grimes, who insists on being called Waco to survive the island's dangers. The transfer thrusts him into a rigid, brutal regime away from his previous status. This marks the start of his struggle between duty and fear.

    When
    1945
    Where
    Pacific island
  2. Backstory: life before the war

    Through flashbacks we learn he was a wealthy cotton farmer at home, hard and distant with his workers. He is married to Jenny, the daughter of Colonel Cousins, a well-to-do plantation owner. This backstory explains some of his attitudes toward class and leadership.

    When
    Pre-war
    Where
    Home (cotton plantation)
  3. Rising through the ranks and earning a medal

    As a sergeant in the Pacific campaign, Gifford effectively leads his platoon in combat. He earns a medal for valor, proving his capability despite the underlying fear he sometimes shows. This moment contrasts his skill with his harsh treatment of subordinates.

    When
    During war
    Where
    Pacific island
  4. Colonel Cousins is killed by a sniper

    During the war, Colonel Cousins is killed by a sniper, a blow to Gifford and to the unit's leadership. The loss intensifies the pressures and shifts the unit's command dynamics. Gifford's loyalty to his former mentor is tested.

    When
    1945
    Where
    Front lines
  5. Lt. Mosby's indifference and Gifford's confrontation

    Lieutenant Ray Mosby machines Gifford's friends out of cowardice and panic, undermining the unit's morale. Gifford tries to fight the cowardice by assaulting Mosby with his rifle butt in a fit of rage. The incident highlights class tensions and the cost of fear.

    When
    During war
    Where
    Front lines
  6. Waco sends Gifford on the San Carlos patrol

    Waco orders Gifford to lead a patrol to the town of San Carlos, rumored to be Japanese headquarters. The mission promises a chance to prove leadership, but also risk. The tension between duty and suspicion marks the patrol.

    When
    1945
    Where
    San Carlos vicinity
  7. San Carlos: abandoned town and proof

    On the way to San Carlos, the patrol spots a Japanese mortar platoon approaching the hills. The town is found abandoned upon their arrival, and Gifford takes a church name plate as proof they were there. The evidence becomes a point of contention with Waco later.

    When
    1945
    Where
    San Carlos
  8. Mortar barrage hits after the patrol

    A Japanese mortar barrage erupts as the patrol returns, forcing them to scramble and reassess their position. The attack underscores the ever-present danger and Gifford's vulnerability. This moment foreshadows the mounting tension with Waco.

    When
    1945
    Where
    Near HQ
  9. Outpost duty and Crawford's introduction

    Gifford is assigned to an outpost with Lt Little Joe Johnson, where he befriends Corporal Willie Crawford, another ex-sharecropper. He admits he's hard on those below his class but vows to change by forming friendships. The human connections begin to reshape his outlook.

    When
    1945
    Where
    Outpost
  10. Waco is relieved and then killed

    After an attack, the outpost loses radio contact and Gifford is sent back to HQ for fresh batteries. He finds Waco has been relieved of command; before leaving, Waco praises the San Carlos patrol. In a final moment, Waco dons his Class A uniform and is killed by a Japanese sniper as he instructs the troops to salute.

    When
    1945
    Where
    Outpost / Headquarters
  11. Little Joe dies; Crawford and Gifford survive

    A later attack claims the life of Little Joe Johnson, leaving Crawford and Gifford as the remaining survivors. Crawford, wounded, orders Gifford to return to HQ to warn the company of a large Japanese buildup. The unit's cohesion fractures under continuous danger.

    When
    1945
    Where
    Outpost
  12. Gifford fights through to warn HQ

    Though reluctant, Gifford fights his way through Japanese lines toward the HQ to warn the company of the buildup. He collapses from wounds but presses on. Upon reaching the company, he finds they have launched a new offensive, and he resolves to rescue Crawford.

    When
    1945
    Where
    Japanese lines toward HQ
  13. Homeward bound and a promise of a new life

    Crawford is brought on a stretcher as both men are told they are being shipped home. Gifford promises Crawford a new life with his family and a job at his company, offering a glimmer of hope beyond the war's horrors.

    When
    Post-war
    Where
    Homeward transport / home

Last updated: October 09, 2025 at 14:13

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Timeline questions answered

Between Heaven and Hell Timeline Explained: Your Questions Answered

When does it happen, and why in that order? The questions people ask about the chronology of Between Heaven and Hell (1956): time jumps, flashbacks, cause and effect between scenes and the correct order of events, each answered with spoilers.

Q1

Why was Sam Gifford demoted to a punishment company?

Sam was demoted from sergeant to private and transferred to Captain Waco Grimes' punishment company after he struck a cowardly lieutenant with his rifle butt. The assault occurred when Lieutenant Ray Mosby panicked and fired on Gifford's own men during combat, prompting Gifford to violently confront him in a fit of rage. This act of insubordination resulted in his demotion and reassignment to the disciplinary battalion.

  • demotion
  • punishment company
  • sergeant
  • lieutenant mosby
  • insubordination
Q2

What was Sam's relationship with Colonel Cousins before the war?

Colonel Cousins was Sam's father-in-law, having married the colonel's daughter Jenny. The colonel was a powerful plantation owner who commanded the National Guard unit Sam served in. Though Sam came from wealth as a cotton farmer, his relationship with his wife was strained, and his treatment of workers reflected the class prejudices of the South. The colonel's death by a sniper during the war deeply affected Sam.

Foreshadowing: The flashback structure reveals that Sam's harsh leadership style stems from his privileged but emotionally distant pre-war life.

  • colonel cousins
  • father-in-law
  • jenny
  • plantation
  • marriage
  • national guard
Q3

Why did Sam attack Lieutenant Mosby with his rifle?

Sam attacked Mosby because the lieutenant fired on Sam's own men out of cowardice and panic during combat, endangering the soldiers under Gifford's command. This act of cowardice combined with Mosby's disregard for the soldiers' lives pushed Sam over the edge, resulting in him striking Mosby with his rifle butt. The incident highlighted the class tensions and the psychological toll of war on soldiers.

Foreshadowing: Earlier scenes show Sam's internal struggle with fear and fatigue, foreshadowing this breaking point.

  • lieutenant mosby
  • cowardice
  • rifle
  • attack
  • insubordination
  • combat
Q4

What happened during the San Carlos patrol?

Waco ordered Sam to lead a patrol to San Carlos, a town rumored to be a Japanese stronghold. While en route, Sam's squad spotted a Japanese mortar platoon moving toward the hills. When they reached San Carlos, they found it abandoned. Sam took a church name plate from the front door as proof of Japanese presence, which later became a point of contention when Waco accused him of loafing. A Japanese mortar barrage struck shortly after they returned, underscoring the danger of the mission.

  • san carlos
  • patrol
  • church name plate
  • japanese
  • mortar
  • waco
Q5

Why did Captain Grimes insist on being called Waco?

Captain Grimes insisted on being called Waco because he believed the Japanese snipers on the island could identify officers by their rank and target them specifically. By demanding the men call him Waco instead of captain or sir, he tried to mask his rank and avoid being singled out as a high-value target. This pragmatic concern for survival contrasted with his otherwise brutal command style.

  • waco
  • captain grimes
  • sniper
  • officer
  • nickname
  • survival
Q6

How did Sam Gifford change throughout the movie?

Sam began as an arrogant, class-conscious plantation owner who was harsh with workers and subordinates. Through the harsh discipline of Waco's company and his experiences in combat alongside men like Corporal Willie Crawford, a former sharecropper, Sam underwent a transformation. He learned empathy, humility, and true leadership. By the end, he promises Crawford a job and a new life with his family, demonstrating his complete change from the privileged, distant man he was at the start.

Foreshadowing: His flashbacks show his pre-war attitudes, setting up the transformation that combat would trigger.

  • transformation
  • character arc
  • cunningham
  • change
  • growth
  • redemption
  • leadership
Q7

Why did Sam promise Crawford a job at his company?

Sam promised Crawford a job at his company because their shared experiences in combat forged a deep bond between them. Crawford, a former sharecropper, was originally one of the men Sam would have looked down upon in his pre-war life. After Crawford was wounded and ordered Sam to abandon him to warn HQ, Sam realized the depth of their friendship and wanted to give Crawford a meaningful life beyond the war as a symbol of his changed values.

  • crawford
  • promise
  • job
  • company
  • friendship
  • sharecropper
  • transformation
Q8

What happened to Waco at the end of the movie?

Waco was relieved of command after an attack left the outpost's radio silent. Before leaving, he oddly praised Sam's San Carlos patrol. In a final act of bravado, Waco put on his Class A uniform and ordered the squad to salute him. As they did, a Japanese sniper killed him instantly. His death served as a stark reminder of how pride and visibility can be fatal in war.

  • waco
  • death
  • sniper
  • relieved
  • uniform
  • salute
Q9

How did the flashbacks work in Between Heaven and Hell?

The film used stark flashbacks to reveal Sam Gifford's past before and during the war. These flashbacks showed his life as a wealthy cotton plantation owner, his strained marriage to Jenny (Colonel Cousins' daughter), and his harsh treatment of workers. The flashbacks contrasted his privileged civilian life with his harsh reality in the punishment company, adding psychological depth and explaining the source of his class prejudices that he later overcame.

Foreshadowing: The early flashbacks establish the class tensions that Sam must overcome through his wartime experiences.

  • flashbacks
  • structure
  • past
  • plantation
  • jenny
  • psychological
  • backstory
Q10

How did Colonel Cousins die in the movie?

Colonel Cousins was killed by a Japanese sniper during combat. His death was a significant moment that affected both Sam personally and the unit's leadership dynamics. As Sam's father-in-law and former commander, the colonel's loss tested Sam's loyalty and further intensified the pressures of war.

  • colonel cousins
  • sniper
  • death
  • killed
  • father-in-law
Q11

What happened to Little Joe Johnson in the movie?

Little Joe Johnson was a lieutenant assigned to outpost duty alongside Sam. During a heavy Japanese attack on the outpost, Little Joe was killed in the ensuing chaos. He was one of the casualties that left only Sam and Crawford surviving from their group. His death forced Sam to carry the responsibility of warning HQ about the Japanese buildup.

  • little joe johnson
  • death
  • killed
  • outpost
  • attack
  • lieutenant
Q12

What was the significance of the church name plate from San Carlos?

Sam took the church name plate from San Carlos as proof that Japanese forces had occupied the town. When Waco accused Sam of loafing and failing to find the enemy, Sam presented the name plate as evidence of their presence. However, Waco dismissed this, creating tension between them. The name plate represented Sam's attempt to prove his squad's effort and success in a mission that appeared fruitless.

  • church name plate
  • san carlos
  • proof
  • evidence
  • waco
  • accusation

Movie threads

More Movies Like Between Heaven and Hell, by Mood & Story

Curated lists built around what makes Between Heaven and Hell tick: the same mood, the same kind of story or the same emotional payoff. Each list explains why these movies belong together.

War Stories of Redemption Like Between Heaven and Hell

Arrogant men find their humanity broken down by the shared horrors of combat. If you liked watching Sam Gifford's transformation in Between Heaven and Hell, you'll appreciate these movies about arrogant men humbled by war. This collection features similar character-driven war dramas where protagonists find redemption through shared trauma and sacrifice.

  • grim
  • brutal
  • redemptive
  • tense
  • melancholic
  • transformative
  • Tone: bittersweet, grim, redemptive
  • Pacing: variable, intense action with reflective moments
Why these movies?

The story pattern: The narrative follows a proud, often unlikeable protagonist who is thrust into a brutal environment that systematically breaks them down. Through shared suffering and the guidance (or antagonism) of a formidable leader or group, they shed their ego, form bonds with those they once despised, and discover a new, more authentic self. The path is paved with loss, but leads to a hard-won redemption.

Why they belong together: They share a core narrative of a 'crucible' experience—a trial by fire that forges a better person. The tone balances grim realism with a thread of hope, focusing on the psychological cost of change and the bittersweet victory of surviving not just physically, but morally.

Psychologically Intense Dramas Like Between Heaven and Hell

Stories where relentless tension exposes the raw psychology of characters. Fans of the tense, psychological depth of Between Heaven and Hell will find similar movies here. These are heavy dramas where extreme pressure, like combat or survival scenarios, tests characters to their limits, revealing their true nature in grim, reflective stories.

  • tense
  • psychological
  • oppressive
  • reflective
  • grim
  • brutal
  • Tone: grim, tense, reflective
  • Pacing: variable, oscillating between high action and deep reflection
Why these movies?

The story pattern: The plot structure often alternates between intense, action-driven sequences that push characters to their physical and mental limits, and quieter, reflective periods (or flashbacks) that delve into their psyche and past. This contrast deepens the character study, showing how extreme stress fractures and then rebuilds a person. The focus is less on the external goal and more on the internal metamorphosis.

Why they belong together: They are united by a dominant mood of grim tension and a focus on the heavy emotional weight of survival. The pacing is typically variable, mirroring the rhythm of crisis and aftermath, and the endings often carry a bittersweet tone, acknowledging the high cost of enduring such an ordeal.

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Every angle

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