Year: 2022
Runtime: 125 min
Language: Japanese
Director: Hirokazu Koreeda
In a Tokyo apartment, an inflatable doll mysteriously gains life. Seeking companionship, she leaves her home and finds herself drawn to a solitary video store employee. As they develop a unique connection, she confronts questions about her own being and experiences the poignant challenges of love and belonging in a world she's only just beginning to understand.
Get a spoiler-free look at Air Doll (2009) (2022) with a clear plot overview that covers the setting, main characters, and story premise—without revealing key twists or the ending. Perfect for deciding if this film is your next watch.
In a quiet Tokyo neighborhood, an everyday apartment becomes the unlikely stage for something extraordinary. A lone inflatable doll, long a silent companion to the space, awakens to consciousness, breathing in the soft hum of the city and the subtle rhythms of the room that has always held her. The film unfolds with a gentle, almost lyrical surrealism, allowing the ordinary streets and muted interiors to pulse with the curiosity of a being discovering life for the first time.
Nozomi steps beyond the confines of her modest home, drawn by an instinctive yearning to experience the world beyond the four walls. Her movements are tentative yet filled with wonder, and the city’s neon glow and quiet alleys become a vast, unfamiliar playground. The tone remains wistful and contemplative, inviting the audience to share in the fragile excitement of first steps, first glances, and the quiet hope that accompanies every new connection.
In the dimly lit aisles of a nearby video store, Junichi spends his days surrounded by stories he never fully lives, his solitude echoing the stillness of the shelves he tends. When Nozomi’s path crosses his, an unusual rapport begins to bloom—one shaped by shy smiles, shared silences, and the tentative exchange of ordinary moments that feel suddenly charged with possibility. Their interaction hints at a delicate dance between the tangible and the ethereal, suggesting that even the most unlikely companions can find resonance in each other’s company.
Meanwhile, Hideo, a middle‑aged man who has grown accustomed to his own isolation, maintains a quiet existence that is quietly altered by the doll’s newfound vitality. His relationship with the inflatable companion, now animated, offers a subtle glimpse into themes of companionship, longing, and the uneasy balance between comfort and change. As Nozomi navigates the unfamiliar terrain of love and identity, the film weaves a melancholy yet hopeful portrait of what it means to belong in a world that is simultaneously familiar and brand new.
Last Updated: August 10, 2025 at 00:22
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