A Shock to the System

In a glossy metropolis where advertising agencies shape not just brands but the very rhythm of daily life, the world of corporate ambition is a high‑speed carousel of slogans, power lunches, and relentless competition. The film paints this landscape with a sly, almost satirical brush, letting the city’s polished façades reveal the uneasy tension beneath. Humor slips through the cracks of every boardroom, suggesting that even the most polished veneer can harbor a darker, more impulsive edge.

​Graham Marshall is the quintessential executive: charismatic, razor‑sharp, and convinced he has finally reached the summit of his career. At home his marriage to Leslie teeters between affection and the strain of unchecked expectations, while his professional circle includes the eager up‑and‑comer Bob Benham and the long‑standing ally George Brewster. When an unexpected setback rattles his carefully built empire, the loss feels less like a corporate reshuffle and more like a personal affront, shaking the foundations of his identity.

The disappointment ignites a subtle but relentless shift in Graham’s demeanor. Gone is the carefree confidence; in its place emerges a calculated resolve to reclaim what he believes is rightfully his. The tone pivots toward a darkly comic quest, where the line between strategic maneuvering and personal vendetta begins to blur. His wit becomes a weapon, and the corporate playground transforms into a chessboard where every move carries both irony and menace.

As the story unfolds, the audience is drawn into a world where ambition, ego, and humor collide. The mood balances razor‑sharp satire with a growing sense of suspense, leaving viewers to wonder just how far a man will go when his polished exterior cracks and his desire for redemption turns into an increasingly audacious pursuit.

Last Updated: August 10, 2025 at 13:37