A Kiss Before Dying

In the sleek, ambition‑driven world of an Ivy‑League campus and a powerful copper empire, Jonathan Corliss is a young man whose aspirations exceed the modest prospects of his own background. He circles the privileged circles of the Carlsson family, a dynasty whose wealth is as much a product of industrial might as of old‑world tradition. The film opens with a sense of quiet menace humming beneath the polished veneer of academia, elite social gatherings, and the constant rumble of trains that have long linked the family’s past to its present.

When Jonathan becomes involved with Dorothy Carlsson, the heir to the family fortune, their partnership seems poised to merge his drive with her inheritance. Their connection, however, is shadowed by secret desires and unspoken plans that hint at a precarious balance between love and opportunism. The narrative gently places the audience in a world where personal ambition can blur moral lines, setting a tone that is at once romantic and foreboding.

Tragedy soon ripples through the Carlsson household, and Dorothy’s identical twin, Ellen Carlsson, finds herself unwilling to accept the official story. While Ellen works at a New York shelter, she clings to a quiet determination to uncover what really happened, reaching out to a skeptical detective and unearthing fragments of a past that suggest the truth may be far more tangled than it appears. Her investigation draws her back into the orbit of the Carlsson fortune and the man who has slipped into its midst under a new identity.

Against the industrial backdrop of steel rails and corporate intrigue, the film weaves a tense, atmospheric portrait of deception, class, and the lengths to which one will go to secure a future. The mood remains taut and suspenseful, inviting viewers to wonder how far Jonathan’s ambitions will carry him and what hidden forces Ellen might awaken as she probes the shadows lingering behind the family’s polished façade.

Last Updated: December 03, 2025 at 23:35