22 July

At the end of 22 July, Breivik is shown being taken to his prison cell after being sentenced to 21 years in prison, which is the maximum term under Norwegian law. His cell is depicted as more like a small everyday room than a traditional prison cell, reflecting Norway's rehabilitative approach to incarceration.

Viljar, one of the survivors of the Utøya attack, is shown back in his hometown at the end of the film. He stands gazing out at the horizon from his window, symbolizing hope, resilience, and the continuation of life despite the trauma he endured.

During the trial, Viljar delivers an emotional speech where he states that he chooses to live because he still has love, family, and dreams. This powerful statement becomes a message of survival and perseverance in the face of tragedy, emphasizing that the victims choose hope over hatred.

Breivik receives 21 years because that is the maximum sentence allowed under Norwegian law. While it may seem lenient compared to other countries, the sentence can be extended indefinitely if he is deemed dangerous upon completion, potentially keeping him imprisoned for life.

The ending delivers a message of resilience and hope. While Breivik's dark legacy of hatred and violence has concluded with his imprisonment, the film suggests that the human spirit can endure and move forward. The victims and survivors are still here, striving for a future where love and hope prevail over hatred and destruction.

The final moments draw a powerful contrast between Breivik and Viljar. Breivik is shown alone in a cell, his story of hatred and violence ended in isolation. Meanwhile, Viljar represents hope and life, looking toward the horizon. This juxtaposition emphasizes the film's thematic choice: choosing life and love versus destruction.

Viljar standing at his window gazing at the horizon symbolizes hope, renewal, and the continuation of life after tragedy. It represents the survivors looking forward to the future despite the darkness of the attack, embodying resilience and the possibility of rebuilding.

The film depicts Norway's rehabilitative approach to prison, showing Breivik's cell as more like a small, normal room rather than a harsh cell. This reflects Norway's focus on rehabilitation over punishment, though critics note this contrasts sharply with the severity of his crimes.

The film ends hopefully to emphasize that despite losing 77 lives and enduring lasting trauma, the survivors chose to live and rebuild. The hopeful ending asserts that love and hope can prevail over hatred, though the darkness of the events remains present as context for this resilience.